I have a small child continually tugging at my sleeve to play the Lego Movie videogame with her so I’ll make this quick. I found this puzzle moderately difficult (just under 25 minutes on my clock) with a fair few devious passages, though with hindsight nothing that seems like it should have been too much of a stumbling block. I started centrally with 16D and 6D and finished with 17D and 20A – being a naturalised soft Southerner I had to look up the meaning of being bah’t ‘at on a moor before the penny dropped.
Not quite as many laughs as I ideally like from a puzzle (I’m such a frivolous soul), but there were a few: 23A had a very jolly surface and I liked “with crooks” in 15A. Oh, and I personally ended 26A with an X without a second thought, but with hindsight it seems potentially quite controversial?
Right, that’s that, see you all in MMXV!
Across | |
1 | WEIGHT – power: homophone of WAIT [“broadcaster’s” hold] |
5 | VITALITY – life: V [see] + IT in ITALY [country] |
9 | UPSTAGES – diverts attention from: UP [London-bound] + STAGES [coaches] |
10 | INFEST – run through: FINEST [with great distinction, “dragging female (i.e. F) back from front”] |
11 | CONVOLUTED – involved: CON VOTED [Tory | took part in election] admitting LU [“two bits of luck”] |
13 | ONYX – stone: O [circle] + {o}N{l}Y [only “short of the odd”] + X [cross] |
14 | PIER – seaside venue: PI{p}ER [“disheartened” instrumentalist] |
15 | SERPENTINE – with crooks: ER PENT [queen | shut up] during SINE [function] |
18 | DETERMINES – rules: DETERS [puts off] “getting to grips with” MINE [the setter’s] |
20 | GAME – double def, handicapped / creatures going to pot |
21 | SODA – drink: ADOS [fusses “over”] |
23 | JOURNALESE – reporter’s words: JOURNE{y} [travel “endlessly”] with input of ALES [booze] |
25 | CHEOPS – old Egyptian ruler: HE [fellow] in COPS [“with police guard”] |
26 | TABLEAUX – scenes: TA [cheers] + BEAUX [lovers] “crossing” L [line] |
28 | BETRAYAL – sell-out: BE [live] + LAY ART [amateur | pictures “return”] |
29 | TANGLE – confusion: (AGENT*) [“flustered”] grabs L [pound] |
Down | |
2 | EXPLOSIVE – liable to go off: ([“out of bounds”], {s}EXPO{t} LIVES*) [“riotously”] |
3 | GET OVER – clear: GOVER{n} [rule “briefly”] restricting TE [note “in circulation”] |
4 | TUG – draw with some effort: T.U. [workers organised] + G [grand] |
5 | VISIT – call on: VI [half of jury, i.e. 6, “in Rome”] + SIT [be in session] |
6 | THIRD PERSON – he or she: also the first murderer, Cain, was the presumable third person (after Adam and Eve) |
7 | LEFT OUT – overlooked: result of Tory landslide is the right getting in and the left out |
8 | TASTY – savoury: PASTY [snack, “originally two”, i.e. T, for “penny”, i.e. P] |
12 | LESE MAJESTY – JAMES [Stuart monarch “overthrown”] in LEES [grounds] + T{erritor}Y [“borders of”], &lit |
16 | RUN – scarper: I “fleeing from” RUIN [disaster] |
17 | NUMBSKULL – coot: experience on Ilkley Moor bah’t ‘at, i.e. dying of exposure in the wilds of Yorkshire due to lack of appropriate headgear |
19 | ENAMOUR – appeal a lot: OMAN [state] blocking RUE [Paris street] “in revolution” |
20 | GALLEON – vessel: (GONE*) [“out of control”] containing ALL [i.e. “fully laden”] |
22 | OCHRE – pigment: R [runs] into OCHE [line that shouldn’t be crossed (in darts)] |
24 | UNTIL – before: {reco}UNT I L{ift} “boxes” |
27 | BIT – double def, snaffle / chip |
Thanks for the blog verlaine.
I don’t recall seeing 17D before as a clue and wonder how many people actually know that baht ‘at means without a hat? Makes a welcome change from London argot
I did know what “bah’t ‘at” meant. I guess you either know the song or you don’t, and if you don’t you might spend a lot of time trying to think of the name of a bird.
Much sympathy (tee hee!) for those who put an S at the end of TABLEAU. I’m off to sample some Bordeaus (possibly from one of the Margaus Chateaus) with some eaus the vie chasers, maybe with some morceaus of selected gateaus to go with. Mes Adieus et meilleurs voeus pour la nouvelle année!
However, I confidently entered TABLEAUS at 26ac, and without any indication in the clue as to whether it ends in an X or an S I think it is a perfectly valid answer.
I do hope the pestering child is the one who had the Japanese lurgy as it would be good to know she is back to full dad annoying strength.
Ah well!
I took simply ages over my L2I: 17dn (NUMBSKULL) and 20ac (GAME). The former was particularly galling as I once lived at the bottom of Ilkley Moor, and plan to have On Ilkley Moor bah’t ‘at sung at my funeral because 1) it’s a damned good sing, and 2) everybody knows the tune (the words will be provided). The last funeral I went to had three incredibly dreary hymns, and hardly anyone seemed to know the tune chosen for two of them. The deceased had specifically requested a humanist ceremony, but her daughter, a C of E member, had gone against her wishes. Deeply depressing!
Thanks
Edited at 2014-12-27 06:23 am (UTC)