Solving time 10 minutes
Those tuning in to sample the artistry of Tim will have to put up with his country cousin as we swapped so that Tim could do yesterday’s puzzle.
Very easy but even then I have difficulty with “Yorkshire-born painter” at 19A. All offers gratefully received.
Across | |
---|---|
1 | FEWEST – F-EWES-(ve)T; |
4 | OBSCURED – (cur bodes)*; |
10 | TRAVELLER – two meanings 1=gypsy 2=passenger; |
11 | REBUS – hidden (gen)RE BUS(ting); |
12 | deliberately omitted, ask if your brain is gummed up; |
13 | ROGUE,TRADER – (or Gertrude a)*; James Dearden’s 1999 film about Nick Leeson; |
14 | REPORT – RE-PORT; |
16 | ENDORSE – E-N(D)ORSE; |
19 | ROSETTE – ROS(ETT)E, I guess. Don’t understand the “Yorkshire born painter” reference; |
20 | STEADY – two meanings 1=regular date 2=not easily excited; |
22 | SITTING,DUCK – S(IT)TING-DUCK; |
25 | deliberately omitted, ask if you cant see through this simple ruse; |
26 | ROUGH – (t)ROUGH; |
27 | ACROPOLIS – (car pool is)*; |
28 | EDENTATE – (attendee)*; |
29 | STATER – STA(TE)R; |
Down | |
1 | FATIMA – FAT-I-MA; Portuguese site of reported apparitions; |
2 | WRANGLERS – two meanings 1=cowboys 2=Labour politicians; |
3 | STEER – S(T)EER; |
5 | BERKELEY,SQUARE – reference Busby Berkeley 1895-1976 + following tradition=SQUARE; where nightingales sing; |
6 | CARTRIDGE – CART-RIDGE; |
7 | RABID – (supporte)R-A-BID; |
8 | DESERTER – DESERT-(RE reversed); |
9 | FLIGHT,SERGEANT – FLIGHT-(gets near)*; |
15 | OUT,WITH,IT – OUT-WIT-HIT; |
17 | RED,MULLET – sounds like “read”-MULL-E-T(eam); nice with cold Chablis; |
18 | PRESERVE – P(upil)-RESERVE; |
21 | TEASER – T-EASE-R(eply); |
23 | TRUCE – (CURT reversed)-E(music); |
24 | KAPUT – TUP-A-(truc)K all reversed; |
Minor point: I think 15D is OUTWIT=”be too clever for”+HIT, rather than a 3-part charade.
I agree that this is on the easy side but by no means light gauge, having taken 21 minutes. All the anagrams were fine by me, esp. the one involving an actual novelist (and occasional screenwriter to boot) — 13ac.
A glorious morning for golf down here at Royal Wimbledon. Did you manage to get out?
I can’t imagine drinking a warm Chablis …
For the past couple of years seeing Jimbo’s blog on a Tuesday has served as a reminder that it’s my week to blog the Friday puzzle so I’m going to have to take care not to fall into the old routine over the coming weeks.
For some reason I could only see the definition on DESERTER, failing to make the waste=desert connection. I also wasn’t sure what “this” was doing in 24 – it seemed to me to point the clue towards some object that would be broken, such as the truck’s axle, and not towards the word broken itself. Perhaps I’m just being obtuse or picky.
CoD to TRAVELLER – I liked the misdirection of “fare”.
Rogue Trader is a decidedly mediocre film remembered in our household for the moment when one of Leeson’s assistants says, completely out of the blue, “Nick, what’s the difference between initial margin and variation margin?”. Since we saw the film this line has been our shorthand for clumsy and obtrusive dialogue serving no purpose other than to impart necessary factual information.
I wanted to put ‘Belgrave Square’ for a long time, too. I thought the dance director referred to square dancing, so the wrong tree entirely. I finally remembered ‘A Nightingale Sang in Berkeley Square’, which has nothing to do with it either.
Liked FATIMA, knew ETTY: COD to WRANGLERS for the amusing association.
Off for a glass of Chablis (cold)!
Fatima from wordplay, deserter and rosette from def/checkers.
annoying!
Handel (minus el today)
Otherwise a most enjoyable half-hour.
Oh, I got 5d right off, but still don’t understand the ‘SQUARE’ part having been familiar with BUSBY BERKELEY.
If you can’t find a partner use a wooden chair.
Elvis Presley (1957) Jail House Rock
Translation. “Don’t follow tradition: dance with a chair.”
Etty was a superb colourist, and it was his portrayal of flesh which upset some critics. Critics exist to criticise and not to praise. His fellow artists and his patrons were not so prudish.
Etty’s great characteristics were his honesty and integrity. He stubbornly painted to please himself. He loved times past in an age dedicated to “progress”. He was unfashionable even in his own time.
His portraits are especially fine, and his still lifes way beyond what any other English artist of his time had dared to attempt.
York Art Gallery is hosting a major exhibition on his work in 2011. See for yourself. Incidentally,
on e of his most important works Diana and Endymion has gone missing. Have a look in the loft, would you?
In the meantime Google “William Etty of York” (yorkwatch). Click on “William Etty” or “Letters” in the menu. As the poet says: “More than kisses, letters mingle souls”.