Solving time: 32mins
I found this a fairly straightforward solve, from STILE to NANETTE, with only a few holdups, one new word and, er, one revision.
Across |
1 |
I + MP + AS TO giving a painting technique, the origin of the phrase “to lay it on thickly”. |
5 |
S(tray)+ EW[A + G(rand)]E for waste. One sheep, two sheep, tether sheep, mether sheep. |
8 |
D(irt)Y inside(BERATED)* = TEDDY BEAR |
9 |
Ask if bewildered. |
11 |
MNOOSE. This one held me up because I immediately thought of mouse, and couldn’t unthink it. Och, there’s a moose in the hoose. |
12 |
BRAND (new) inside (TERM)* = REMBRANDT, a painter. |
13 |
I + N(ew) + EQUITY for prejudice. I’m presuming that’s Actor’s Equity, but stand to be corrected. |
15 |
CHOP + IN, a composer. |
17 |
(ME)> + BOSS = EMBOSS or chase in the sense of “to ornament (metal) by engraving or embossing”. I always thought it meant to remove material, but then, you have to remove material to create protuberances. |
19 |
C[OLD + F(emale) + IS]H(urch) = COLD FISH |
22 |
ARIS[TOT + (natura)L]E = ARISTOTLE, a philosopher. Again with the tots. |
23 |
PROOF, double definition, the first in the sense of “the exception proves the rule”. While we’re on the subject, when did “begging the question” get hijacked by the miseducated? |
24 |
EX + C(hurch of) E(ngland) + L(eader) = EXCEL |
25 |
G(ood) + HOST + (WONT)* = GHOST TOWN. I spent too long wondering what a good MC might refuse to do. |
26 |
(DROVE)* around N = VENDOR |
27 |
N[AN]ETTE(d) = NANETTE, a woman. Clear = nett usually bests me (or is it worsts?), so this was my last in. I foolishly thought it was some allusion to an ancient Greek highjumper; I’m rubbish at classics. |
Down |
1 |
(IN ENT A SERVICE)* = INTENSIVE CARE. I like “that’s free” as an anagrind. |
2 |
PADR[ON]E, an innkeeper, a new word for me. Same word as a patron, as in saint, who also stands on the other side of the bar. That begs another question. |
3 |
STYLE sounds like “stile” and not vice versa. |
4 |
OVER + RATE for expect too much, a cricketing reference free zone. |
5 |
S(urrey) + CRIMP for keep short as in the sense “to keep on short allowance; provide sparingly for”, which is a variant on the usual scrimp and save. No shortage of cricketing references here though. |
6 |
(THE WARS)* + ED = WATERSHED, a dividing line on a map, if not metaphorically. |
7 |
GRO[W(ith) + N(itrogen)]UP = GROWN UP or adult. |
10 |
SIT ON + THE FENCE. Fence as in receiver of stolen goods. All those episodes of The Bill not in vain. |
14 |
UN + SETTLED for outstanding in the way bills often are and not as The Bill often isn’t. |
16 |
E inserted in DON + DOWN = DONE DOWN or humiliated. |
18 |
BRI[O + CH(eck)]E = BRIOCHE, a light, sweet roll. |
20 |
IRON + OUT for resolve in the unplucky sense. I couldn’t make iron will fit. |
21 |
STAG(g)ER, an old actor. And we’re tottering again. |
23 |
PUT IN as in an assignment or at number eleven. |
I did have the wrong end of the stick on a couple of clues. In 6, I thought you put W(aste) A G(rand) into something, and get some sort of sheep, presumably an obscure breed. In 11, I was quite sure ‘dicky’ was the literal, and DY TY was involved.
I was finally a bit stuck on ‘iron out’ and ‘Nanette’, only to discover that the constructions were much simpler than I had supposed. Last weeks’ lot has me looking for something much more clever than these sorts of puzzles offer.
A rather bland puzzle, I’m afraid. I’d be hard put to come up with a COD.
Actually 13ac was going to be my COD until I read the above which put doubts in my mind. I think the Collins definition as quoted by koro gets close enough but if any more proof is needed the SOED defines both “inequity” and “prejudice” as “bias” which nails it for me so I shall have this as my COD after all.
I like your notation for a replacement at 11A.
A nice easy start to the week.
2 made me think of the Taviani brothers’ film Padre Padrone about two young Sardinian shepherds working for their father. The title refers to the more usual meaning of padrone as an employer, not the more specific innkeeper required here.
However , got BRIOCHE quite quickly and this could have been a difficult one to fathom. 16 and 27 took a bit of thought but last pair in were REMBRANDT and SCRIMP.
Not as good as the last two puzzles of last week but I think it is good to get a mix of puzzles ,and clues within them ,from the gimmes and the old chestnuts to the stunning and innovative stuff which brightens up our week
REMBRANDT, a painter
CHOPIN, a composer
ARISTOTLE, a philosopher
Thanks for that Koro. Genius. Cheered me up after a rather soulless puzzle.
34 mins, far too slow. IMPASTO is one of those words I can never call to mind quickly enough and I took far too long over 1dn, even after writing down all the letters in a jumble which I find I rarely have to do these days. Like Kevin I also had overrely for a time at 4d even though it would have meant the same root had been used in both the def and w/p.
I did enjoy seeing cold fish as it’s one of those Wodehouse-type expressions that should be in every day use, and I liked the clue for brioche.
pimento di padrone came in useful from menus in spain to get the rather unusual Padrone…
anyway lots of musical and artistic fare as jimbo says…we did have Tasel didnt we on Friday?
The New York Post, bless its soul, has taken to sloppy typesetting, which makes the puzzle all the harder. The heck of it is, the errors in spacing so often aren’t apparent: the clue to 19ac became for me “a nun friendly type,” which is by no means the same as “an unfriendly type.”