Solving time: 16:41 – with one wrong (4D)
This felt like hard work, but rewarding. After the first run through I had a scattering of answers and a complete blank in the North West corner. No single clue was a major hold up, but many of them took a lot of thinking, or of leaving and coming back to.
Not that there was anything very obscure in the answers. Smollet at 9A is not the best known author; Little Dorrit is not the most read of Dickens books, but is probably known for the film and TV versions. Perhaps some of the components were trickier. “Beard” for confront at 5A, “sett” for block at 9A, and “Tom” for TS Eliot at 16D are not obvious, but I filled in those answers long before I worked out the components.
I am sure that DROP OUT is right at 6D – there is a definition there, and it is the only phrase that will fit. But I don’t understand the clue – what is the “twenty-two” for? If it wasn’t that I solved the paper version today, I would have wondered if it was connected with INURED at 22A. I trust that a comment will enlighten me and I will kick myself.
Curiously, two of the answers occurred to me before I reached their clues. On definition and fit, I wanted 10A to be POPPET, and 15D to be WARINESS, and so I was surprised when they turned up at 1A and 21A. Of course the definitions at 15D and 21A are the same – “caution”. This seems unusual to me. And I also note that “tie” is a component at both 12A (fixture) and 25A (draw).
As Peter has pointed out, I misspelled Tae Kwon Do as Tae Kwan Do. I shall now edit below to correct it.
Across
1 | POP + PET |
5 | BEA(r)D EVIL |
9 | S(MOLL)ETT |
10 | DO (R.R.) IT |
11 | BESTOWAL – (AT ELBOWS)* – I was misled into looking for a word for “discussing” rather than “giving” |
12 | T(OWN)IE – sneaky definition |
13 | L(ENIN)IST – neither component obvious – (NINE)(rev) for “group” and LIST for “border” in the sense of selvage |
15 | (p)ARTY |
19 | FORSWEAR (=”force where”) |
20 | OEUVRE – a cryptic definition, I think, though with no huge gap between obvious and cryptic meaning |
21 | W(e)ARINESS |
22 | IN(U)RED – ie U in (IN RED) for “wearing scarlet” |
23 | AL(I CAN’T)E – I liked this clue. I think “open” to indicate insertion is a forgivable stretch |
24 | H + AND SOME! |
25 | TIE PIN |
Down
2 | OHM(M)ETER, the container being THEOREM* |
3 | P.O. + LITELY (=”lightly”), P.O. being Pilot Officer |
4 | TAE KWON DO – brilliant. The definition is a bit approximate, but worth it for the excellent surface (and I misspelled it -“kwan” – in the grid) |
5 | BOTTLE NO(SE(a))W + HALE – neatly done for such an intricate structure |
6 | DROP OUT – explanation to follow, I hope (On edit: apparently “twenty-two”, meaning the 22 metre line, is associated with drop outs in Rugby Union) |
7 | VERONESE – a hidden that had me fooled for too long |
8 | LUT(H)E RAN |
14 | S(PEARM(a)IN)T – briefly confused at seeing “pear” in there. I only vaguely knew “pearmain” as a type of apple. Nice to see the accurate instruction to remove only one of the two As. |
15 | A D(MON(day))ISH |
16 | TO(AU + T, U,)M + N – T, U, being initial letters of “trophy usually” |
18 | R(O.S. SET)T + 1 – unusual to have RT rather than R for right |
19 | FOR CEPS |
The last to go in was POPPET (1ac); PET meaning “bad temper” is still unfamiliar. Other unfamiliar things were SETT as a paving stone (9ac SMOLLETT, who rang just enough of a bell for me to get him), LIST meaning “border” (13ac LENINIST), and the fact that Bach was a LUTHERAN (8dn).
I don’t understand why “Airman” gives PO in 3dn (POLITELY), or why 6dn is DROP OUT, or why 14dn is SPEARMINT. These are no doubt my own fault. I also don’t understand why OEUVRE (20dn) should be the setter’s own work, which I suspect is the setter’s fault. And it’s a shame that the use of “two” as anagram fodder in 4dn (TAE KWON DO) forced the definition to use “Koreans“; the bare adjective (masquerading as a noun) would have given a more accurate definition.
I liked 5ac (BE A DEVIL) and the straightforward 19dn (FORCEPS).
More 22m stuff from Auntie.
Found almost impossibly hard but persevered and used aids finally to complete (3 hours) with half a dozen guesses. Subsequent looks have revealed reasons for all but DROP OUT out and still don’t get OWN in townee. SETT not in my dictionary, thought bottlenose whale somewhat clumsy and not thrilled with H(AND)SOME.
Beginner learning point for today OS for map.
If your dictionary lacks “sett”, you probably need a bigger one. COED is big enough in this case. But unless “and some” is in the current Collins, you need Chambers to find it (in the form “and then some”).
Today’s puzzle daunting but easy to forget that just 3 weeks ago it would take me all day to finish comparatively easy puzzles, if I could finish at all. This progress is entirely due to this blog which adds much to the pleasure of the daily challenge.
Tom B.
But I did eventually remember the Scots tones of Bill McLaren linking “twenty-two” and “drop-out” in Rugby Union commentaries.
8: Having attended one Lutheran service with lots of Bach in it, my impression was that for them, JSB is the fifth evangelist.
I’m hoping Richard’s KWAN for KWON typo is a blogging error rather than a record of carelessness matching my “de/du choix” embarrassment.
Not too bothered by 19A or 20, except that “All one’s own work” might have been fun with the Times-style ONE’S popping up in the clue rather than the answer. In particular, for the first vowel in “forswear”, Chambers gives a choice between the neutral vowel and the one in “for”. With the latter, the only difference from “force wear” is timing and emphasis, both of which I’m happy to handle.
Guessed a couple of answers: Poppet, Oeuvre.
As soon as I read Bach something triggered my brain for Lutheran, but then couldn’t complete the word play.
For 6d though I entered ‘Duck Out’ on the basis of 22 – two little ducks, even though I initially wanted to go with ‘Drop’.
I assumed that “activity at twenty-two” referred to the word university in the clue, rather than the answer, to 22. In fact, having got drop-out first, I spent a long time trying to justify Brunel at 22. I’m sure Richard is right about the rugby explanation but it is possible that the setter deliberately gave us a choice of methods to arrive at the answer. The BBC’s potted rules of Rugby, quoted above, are a bit misleading on the subject. Rule 13:10 states “A drop-out may be taken anywhere on or behind the 22 metre line”, so “activity at twenty-two” is not quite accurate.
I still retain a vague impression of the hero dangling from the windowsill in his nightshirt while the villain empties a chamberpot on him.
I think I understand it all now, but looking for a cross-reference between 22ac which mentions university and 6dn, actually helped me to get DROP-OUT if not for the right reason.
About 90 mins all told. I struggled most in the SW corner, but last one in was TOWNIE, despite having had all the checking letters for some time. COD was 24.
At first I thought the twenty-two was a poor reference to the university clue at 22 – so thanks for the explanation!
You’re all being much too polite about “activity at twenty-two” which I certainly didn’t understand. If the answer is something to do with the measurements on a rugby pitch then it’s a nonsense as far as I’m concerned. And both OEUVRE and the homophone are weak.
Not one to remember as far as I’m concerned.
I can’t believe anyone watching a Six nations match on the box could miss the two important points here, which are all you need: 1. Something called a drop-out happens at the 22-metre line (my impression is that it happens at least half a dozen times in a typical game). 2. The line is informally called the “twenty-two”. The only possible complaint is that compared to cricket or golf, Rugby Union is an obscure sport. At least in the UK, I don’t think this is true. For what it’s worth, being of Mark T’s build (at school at least), my experience of Rugby is limited to the idiot box and a couple of games seen with friends who are far more Rugby-mad than I am.
Tom B.
But who is this Mark T that Peter refers to as having an exemplary build? Mark Twain? Mark Thatcher?
Edited at 2009-05-14 04:30 pm (UTC)
Thanks to all for explaining DROP-OUT. I used to enjoy watching rugby but have lost interest in the professional era, so twenty-five would likely have rung the bell left unrung by twenty-two.
I liked the surface for 9a SMOLLETT, so COD for that one.
Wordplay
so T(OWN)IE
Definition
However the poem at 16d was too tortuous for me. T S Eliot = TOM containing gold (AU) and then trophy usually for beginners (TU) and bung – name (N) on the end. You ‘avin’ a laugh? Yes probably. I have, at least, learned what T stands for in T S Eliot and that John Keats wrote a poem called To AUTUMN.
20a All my own work = OEUVRE – it is still beyond me how this clue works.
There are 2 “easies” not in the blog:
17a Plant reeds at first in wet ground (4)
FE R N
17d Measure of property for agent to shift (8)
FRONTAGE. Anagram of (for agent).