Twenty minutes, with the longer answers giving most trouble for some reason. Q0-E6-D6
Across | |
---|---|
1 | SAGA – Francoise Sagan without the ‘n’. |
9 | ROTTWEILER – ROTTER around Kurt WEIL. |
10 | ODER – gOoDyEaRs. |
11 | UTMOST – U(pse)T + M.O.S + T(reated); second day in a row for the Medical Officer. |
14 | ALOE – ALONE without workma(N). |
15 | CARTOONIST – CART + 0 + ON + IT round S(outh) refers to David Low. Now, you remember that discussion of Definition by Example we had yesterday… |
17 | MARSHALSEA – =”Ma shall see”; now-vanished London prison, most famously the setting for Little Dorrit, Dickens’ father having been sent there for failure to repay his debts. |
21 | BONDMAID – not knowing the word, I began by looking for a proper name, but it’s a general reference (with a nice surface). |
24 | GOTH – GOT H(usband) refers to this youth subculture, m’lud. |
26 | SLEEPYHEAD – (PEEL’S)rev + Y (algebraic unknown) + HEAD. |
27 | LEEK – because it’s “KEEL over” (this would work even better if it was a down clue, I suppose, but there’s no such expression as “keel round”, and you can’t have everything. |
Down | |
2 | AMONTILLADO – A MON(day) TILL A DO gives the sherry. |
4 | SCEPTIC – STIC(k) around CEP. Mmmm…porcini. |
5 | HALL OF RESIDENCE – at first I was looking for parts of speech, before spotting that a simple removal of the comma revealed that it was students we were after. |
6 | OTRANTO – O(ld) T(estament) RAN TO; I guess you either know or don’t know that the Old Testament contains 39 books. |
7 | AUDIO – CLAUDIO minus CL(an) = one definition of sound. The Lord in question features in Much Ado About Nothing. |
16 | NOCTURNAL – TURN inside NO CAL(ifornia). |
18 | ANATOMY – A TOM inside A N(ew) Y(ork). |
19 | ALARMED – double def., though as a little quibblette, is it the handle which is alarmed? After all, the Health & Safety signs always say “This door is alarmed” (allowing you to say “How do you think I feel?” to it), not “This door handle is alarmed”… |
21 | BOGUS – (GO in SUB) reversed. |
23 | NITRE – NIT on R(oyal) E(ngineers) – nits being the eggs of lice. My head’s itching psychosomatically now. |
15 was last in through wordplay – I’m sure I should have heard of David Low (but I haven’t) and don’t like this D by E. I am sure there will be much comment.
At 6 I had heard of “The Castle of Otranto”, so it wasn’t hard to guess that the 39 books were the OT.
I was held up by 2 wrong turns – “toss” at 20 (as in tossing a coin), and “Beth” at 24 (“black perhaps” being a possible bet at roulette). I wasn’t convinced by either though.
As a general comment – and to give Jimbo’s hobby-horse a bit of a canter – all the references in both yesterday’s puzzle and today’s were historical or literary. I would really like the balance to be redressed with some clues requiring an equivalent knowledge of science and science history. It happens only too rarely.
As for 11ac, I gave up trying to see how that worked, but since face now has to be saved, I’ll have another look. (P.S. I quite liked the 6-down.)
You’ll have to write a letter to the editor for the correct interpretation. It might divert them from their main topic of correspondence; the correct spelling of mediaeval.
Actually I thought 6dn was an awful clue – terrible surface.
Gavin Brown by the way is VC of Sydney and prof of maths (well, well) which also explains 1ac, which is understandable but just doesn’t work as a cryptic clue.
I see a strange shortcoming in 16. Normally, this might be a bit tricky, but the clue for 19 is only 2 lines away, and it has ‘turn’ in it, which causes you to see the answer to 16 immediately. I wonder if setters consider this?
I had never heard of David Low, but the cryptic is quite simple, so I didn’t pursue it.
I guess 3D is an old-fashioned kind of irregular &lit.
Tom B.
I wasn’t here for the great D-by-E war to which peter B referred, but I thought they were supposed to give some indication (“Low, say..” or “perhaps…” or something) – it never occurred to me that we might be looking for a type of which a chap called Low is a leading example. I couldn’t call this unfair, but (from my somewhat limited experience*) it’s what I’d expect to find in the tougher puzzles like Mephisto/Listener, rather than here.
*I started taking the Times in 1999. It was well into 2001 before I so much as solved a single clue. It was well into 2000 before I could even understand any of the clues while looking at the answers the following day!
MARSHALSEA rang a bell for me (in that I knew the prison being referred to but couldn’t remember its name) and indeed it appeared on May 14 last year (#23913) – clued in partial homophone MARTIAL + SEA(l) with same crossing letters. Well recalled Peter!
As for Low, I didn’t know him, but I would have seen many examples of his work; his Billy Hughes (former Oz PM and mate of Lloyd George whose role at Versailles was less than laudable) caricatures in particular. Like all good things to come out of NZ, it appears Australia lays claim to him.
To me, it jars.
Apart from MARSHALSEA and CARTOONIST (a Low blow indeed!), I found like linxit that lack of knowledge didn’t hold me up. I didn’t know Françoise Sagan, even though she was born in Cajarc where I went on holiday last summer, but it was bound to be SAGA or EPIC. Likewise (mutatis mutandis) for Kurt Weill, Claudio, and the fact that the Old Testament contains 39 books.
Tom B: there is a term for clues like 3dn: ‘botched &lit.’. (I think ‘irregular’ is too kind, Peter.)
Clues of the day: SAGA, HALL OF RESIDENCE, RESUSCITATE.
Tom B.
The current editor seems happy to break the strict rules from time to time for the sake of good surface meanings.
Tom B.
This was very difficult and finished with none of the satisfaction of, say, last Friday’s difficult puzzle.
Being a bit of a lefty, I had no trouble with Low but I’m still with Ximines on this and think that the clue should have started with a perhaps.
I did not like Alarmed and Bondmaid. Have I missed something or is Bondmaid just a feeble cryptic definition?
Last in was Marshalsea, dredged from the depths of my memory because it occurred in a crossword last year.
On a general point is there any etiquette forbidding referring to an answer directly rather than as 21A or 19? It is not mentioned in “about this blog”. Most people coyly refer to the clue by its number, quite often getting it wrong, which means you have to look back to the crossword to find what they are talking about. Since the answers are at the top of the page anyway, why not refer to them specifically?
Paul S.
COD 21ac.
There were some sticky moments. For SCHOOLMATE I wasted time looking for something far more involved, ANUBIS found me exploring too many alternatives, OTRANTO was a guess with wordplay unravelled afterwards, and I have no idea why ANATOMY took so long.
Against the flow I’d highlight 3D AUTHORESS as a rather tasty piece of clue-writing. Its suggestion of an attempted semi-&lit is rather deceptive.
The sole quibble is 15A CARTOONIST – def by example – although it didn’t hold me up.
Q-1 E-7 D-6 COD 3D AUTHORESS
Didn’t Little Dorrit grow up in Marshalsea?
I’ve never heard of that Francoise Sagan , Kurt Weil and David Low and Marshalsea and Bondmaid are new to me. I know the old hands will say the clues were very gettable from the wordplay but us novices need every crutch!
I don`t think it was a difficult puzzle per se–just not geared towards my specific store of trivia.
http://en.wikipedia.org/wiki/Category:Defunct_prisons_in_London