Or 23341 if you printed it off from the website last Saturday (thanks to jackkt for pointing out the error). Solving time 22:47, on the train the following Monday as I didn’t have any time over the weekend. I think I probably made more of a meal of it than it deserved though, as I don’t see now how I got into such difficulties with it.
Across |
1 |
RIPE – (g)RIPE. “Right” in the sense of “ready” or “fit”. Chambers doesn’t really give an exact correlation, but it seems OK to me. |
3 |
APOSTROPHE – A POST (a job) next to ROPE (guy) around H(our). |
9 |
BESIDES – BEES around S(pades) + ID. |
11 |
BEWITCH – WEB rev + ITCH |
12 |
THRESHOLD – THRESH (move violently) + OLD (out of the ark). I thought “beginning” was a fairly loose definition, but Chambers gives “outset” as one possibility. |
13 |
NOISE – 1 in NOSE. |
14 |
COMPOUND TIME – (nod put)* inside MIME, all after CO. Not being a musician, I didn’t know what this was. “Time in which each bar is made up of two or more simple measures, each divided into three.” I’m none the wiser, really. |
18 |
UNATTRACTIVE – U (for all to see) + NATT(e)R + ACTIVE. A U-rated film is one anyone can watch (equivalent to a G rating in the US, Australia or NZ). |
21 |
IRONS – R + ON inside (cr)IS(is). |
22 |
IMAGINARY – M.A. + GIN inside (d)IARY. |
24 |
HUMMOCK – MOCK after HUM. |
25 |
OVERTLY – O + VERY (jolly, as in “jolly good show”) around LT reversed. |
26 |
PERPETRATE – PER (a) + PET (particular) + RATE (class). A = per comes up now and then in the reverse order too. |
27 |
SCUD – (fraca)S + CUD. The main definition of ruminate is “to chew the cud”. |
Down |
1 |
ROBOTICS – C (about) inside (orbit so)* |
2 |
PASTRAMI – PAST + RAM + I |
4 |
PESTO – PEST + O(verdo) |
5 |
SUBEDITOR – BED (crib possibly) inside SUITOR. |
6 |
ROWING MACHINE – RHINE around OWING (outstanding) + MAC (waterproof). |
7 |
PUTRID – PUT (plonk) + RID (free). |
8 |
ECHOED – hidden in “speECH OEDipus”. |
10 |
DISCOUNT STORE – DISCO + (tune sort)* |
15 |
NITPICKER – IN (elected) reversed + TICKER (watch) around P. |
16 |
GIGANTIC – GIG (booking) + (act in)*. Walloping for gigantic might be just a Britishism, not sure. |
17 |
DEWY-EYED – DEED around WYE + Y. This gave me loads of trouble, as I first thought the river was DEE. The crossings-out were extensive, and I can’t remember now what my first couple of guesses were before neatly writing DEWY down the outside of the grid. |
19 |
BISHOP – (his)* inside BOP. “See supervisor” is good. |
20 |
FORMER – FOR + MER(it) |
23 |
ABOUT – A.B. + OUT |
PS: Due to an unfortunate clash of dates I won’t be able to make it to Cheltenham this year, so I’d just like to wish good luck to all those who will be competing, and I’m sure I’ll see you all next year for a few pints at the Kemble.
Re 26ac: isn’t the PER given by “for” so that the def is “be responsible” and the “a” is redundant?
Special thanks to Jack for enabling me to find my way through the latest Times cock-up last Saturday.
As for compound time, this is more a question of notating the music rather than the music itself. Your source’s technically correct (as far as it goes) but unenlightening description adequately describes a jig (diddledee diddledee etc) where each beat is a triplet, but doesn’t seem to stretch to more complicated rhythms.
This Sat’s was another difficult one and I still have a clue unsolved.
Sad to hear you won’t be at the champs Andy, was very much looking forward to meeting up again. I’ll take a pint on your behalf.