We’re on the beginner’s slopes today with a straightforward vanilla offering about which there is little to say.
| Across | |
|---|---|
| 1 | ANALGESIC – A(legs in a)*C; Aircraftman=AC; |
| 6 | JOUST – J(O)UST; |
| 9 | POLEAXE – POLE-AXE; |
| 10 | PANACEA – P(A-N)ACE-A; |
| 11 | EAVES – reference “eavesdrop” which means to snoop; |
| 12 | ANCHORMAN – A-N(CH)ORMAN; Norman period was 1066 to say 1350; |
| 13 | GARRISON – (soaring)* contains “R” from R(aptor); |
| 14 | BULB – BLUB reversed; |
| 17 | ECHT – ECH(o)-T; |
| 18 | BASELINE – BASE-LINE; tennis reference; |
| 21 | HAPHAZARD – H(APH-AZ)ARD; AZ for “A to Z London Street Maps”; |
| 22 | OPALS – hidden (pawnsh)OP-ALS(o); |
| 24 | UNARMED – UN(h)ARMED; Albert Square is fictional place in East End of London; |
| 25 | INSPIRE – IN-S(P)IRE; |
| 26 | DWELL – D(o)-WELL; O from O(thello); |
| 27 | MILL-WHEEL – your cryptic definition for today; |
| Down | |
| 1 | AMPLE – (ex)AMPLE; |
| 2 | ALL,OVER,THE,PLACE – PLACE sounds like “plaice”; |
| 3 | GOATSKIN – (skating)* contains “O” from O(ut); |
| 4 | SHERATON – S(HER)AT-ON; a chair from Thomas Sheraton all the rage circa 1800; |
| 5 | COPECK – CO-PECK; ready=slang for money; Vladimir=Russian; firm=company; |
| 6 | JUNIOR – JUN-I(st)-OR; OR=Other Ranks; |
| 7 | UNCOMMUNICATIVE – I-CAT-IV surrounded by UN-COMMUNE; |
| 8 | TRAINABLE – TRAIN-AB(L)E; |
| 13 | GREYHOUND – GR(YE reversed-H)OUND; |
| 15 | MANDRILL – MAN-DR-ILL; |
| 16 | TENON-SAW – (one wants)*; |
| 19 | MAMMAL – sounds like “mam will”; Geordie means from NE England where “mum” becomes “mam”; |
| 20 | RANDOM – R-AND-OM; ROM=Read Only Memory; |
| 23 | STEAL – sounds like “steel”; half-inch=slang for steal; a steel is a rod for sharpening knives; |
I was confused at 12ac (which had to be ANCHORMAN) since I didn’t spot the Norman
And pedant’s corner, which I so seldom seek to occupy: OR is Other Ranks.
Edited at 2014-07-22 06:59 am (UTC)
Not sure that SHERATON is just a chair. Didn’t he do a few other things as well? So is this DBE? And we have supposed Geordie and Cockney crossing at 19dn and 24ac. A bit much!
Nice bit of blogging Jim: lifting and separating “a French” and “colony”. Good to know that someone else knows that “commune” is feminine! (7dn).
NB: the A to Z maps are published for other cities than London. When tired, emotional and nostalgic, I often look up my late 1960s A to Z Merseyside.
Will try again tomorrow.
16:13 .. once all the self-inflicted hurdles were overcome.
I rather liked the clue for SHERATON, and the couplet with “Vladimir’s firm kiss” .. steamy stuff.
Help greatly appreciated.
However, nothing is 100% guaranteed so you may come across exceptions
There have reportedly been occasions on which those dots have served some sort of useful purpose, but dashed if I know of them off-hand.
Rotten form, what?
Remove two dots from the end of 4d, and remove all three from the start of 5d and nothing has changed (one would though need to capitalise the first word of 4d). What connection are you seeing that “makes 5d work” any better than it does in isolation?
Sorry to be such cad about it.
1. The cryptic part, i.e. the ingredients that need to be broken down and added together to ‘build’ the answer.
2. The definition part.
3. The surface…the idea that when you put 1+2 together it’s not just a random collection of words but a sentence or at least a phrase that makes some kind of sense in its own right.
(Obviously there are exceptions such as &lits and cryptic definitions which merge some or all of 1,2 and 3 but the above is a general rule).
Parts 1 and 2 are the important ones for being able to solve any given clue, enabling all parts of the clue to have contributed to the answer and all parts of the answer to be solvable from the clue. The quality of Part 3 I suppose then lends elegance to the clue, and for many solvers makes a large difference to the quality of the puzzle as a whole, but (in most cases) is not actually a vital component in the actual solving process – you could argue that its purpose is really ‘cosmetic’.
This is where I think the confusion lies. In most cases – certainly today’s – couplets have no bearing on 1 or 2 (hence your point that the clues can be solved on a standalone basis), but are merely there to improve 3, i.e. the surface reading. Sometimes the surface reading of a couplet component doesn’t work at all without its ‘other half’ – I think in today’s, 4 and 5 would have been just about ok on their own, but the surface reads better when you take them together.
Sorry I know this is teaching grandmother to suck eggs but it feels like there was a disconnect in above conversation about what different people meant by a clue “working” and therefore thought it useful to think about what makes the clue “work” in terms of those three components.
Dave from N London
So it would have been equally valid to have given the clues “Ready for Vladimir’s firm kiss,…” and “…subordinate soldiers were employed after beginning of month” for 5d and 6d respectively?
This started with a groan for FOI, ALL OVER THE PLACE and elicited another one for MAMMAL. Redemption arrived in the form of my COD, SHERATON.
Comfortable finish on the commute this morning, with AMPLE LOI.
Edit: I googled to find out which of the two SHERATON was. It was last used with this meaning in 2007, with exactly the same clue. The combination of this blog and google must be a setter’s nightmare.
Edited at 2014-07-22 09:06 am (UTC)
. . . and Leeds. Think Alan Bennett and his mam.
Re the dots, it’s very rare these days to find two linked clues where the second depends cryptically on the first (I can recall one such Listener clue in the last six years). Mostly, as has been said above, they’re cosmetic.
I particularly enjoyed the SAT ON device, its previous outing having predated my dalliance with the Times daily.