It is sometimes suggested that the clues at the end are easier than the early ones, for some reason. Certainly, with this puzzle, my eye fell on the last across clue, and from there I flew through the SE corner. Overall a quick solve, apart from the limerick writer.
Thanks to the setter. How did you do?
Note for newcomers: The Times offers prizes for Saturday Cryptic Crosswords. This blog is for last week’s puzzle, posted after the competition closes. So, please don’t comment here on this week’s Saturday Cryptic.
Definitions are in bold and underlined. Instructions copied from the clues to explain the wordplay shown thus. Anagram material (THUS)*.
| Across | |
| 1 | Building propositions (8) |
| PREMISES – two meanings. An easy one to start with (if you start from the top)! | |
| 5 | Many, many clubs start to expand immediately (2,4) |
| AT ONCE – A TON [many, many] + C [clubs] + Expand. | |
| 8 | Misappropriating time to stir up criminal group (10) |
| TROUSERING – T + ROUSE + RING. | |
| 9 | Bad temper is, on reflection, somewhat deliberate (4) |
| BILE – backwards (on reflection) hidden (somewhat). | |
| 10 | At length, Peter’s struggling to tackle an unpleasant task (5,3,6) |
| GRASP THE NETTLE – anagram, struggling: (AT LENGTH PETERS)* | |
| 11 | Disproportionately long drive duly taking hours in the middle (7) |
| SPINDLY – SPIN [drive] + DULY , taking {i.e. deleting} U [hoUrs, in the middle]. | |
| 13 | Everything far to the right of hotel entrance area (7) |
| HALLWAY – ALL [everything] + WAY [far] to the right of H. | |
| 15 | Does medical department provide authorisation? (7) |
| CONSENT – CONS [does/defrauds] + E.N.T. | |
| 18 | Black birds and dogs (7) |
| BEAGLES – B + EAGLES. A chestnut. | |
| 21 | What, for example, is a thing kids shouldn’t hear? (4-6,4) |
| FOUR-LETTER WORD – two meanings, the first very literal. | |
| 22 | Difficult problem really hit back (4) |
| KNOT – TONK back. | |
| 23 | Endeavour to go in with force (10) |
| ENTERPRISE – ENTER + PRISE. | |
| 24 | Picked up books by famous limerick writer (6) |
| LEARNT – NT by LEAR. Apparently Edward Lear’s nonsense verse included limericks which, on the short sample I found, seem quite forgettable. Ogden Nash, on the other hand! Thus: A flea and a fly in a flue
Were imprisoned, so what could they do? Said the fly, “let us flee!” “Let us fly!” said the flea. So they flew through a flaw in the flue. |
|
| 25 | Faculty rather restricted by number often rowing? (8) |
| EYESIGHT – YES restricted by EIGHT. | |
| Down | |
| 1 | Dishes requiring significant time in cookware (7) |
| POTAGES – AGE in POTS. | |
| 2 | Bringing forth end of lucrative career (9) |
| EVOCATION – end of LUCRATIVE + VOCATION. | |
| 3 | Fashionable drink, regularly kinda bland (7) |
| INSIPID – IN + SIP + KINDA regularly. | |
| 4 | Possible material (7) |
| EARTHLY – two meanings. The first as in “no possible/earthly chance”. | |
| 5 | Mass of trouble, mostly close to the boarding site (9) |
| AGGREGATE – AGGRO mostly + close to THE + GATE. | |
| 6 | Boring part in exam is elliptic (7) |
| ORBITAL – BIT [boring part] in ORAL. | |
| 7 | Large crater about to envelop tree (7) |
| CALDERA – CA to envelop ALDER. | |
| 12 | The most solitary single person remains overwhelmed by extremes of lust (9) |
| LONELIEST – ONE [single person] + LIES [remains] overwhelmed by extremes of LUST. | |
| 14 | Enormous barrier managing to eliminate cold (9) |
| WALLOPING – WALL + eliminate C from COPING. | |
| 16 | Misdemeanour relating to part of course (7) |
| OFFENCE – OF FENCE [part of racecourse]. | |
| 17 | What may be the focus of speech therapy to begin with, say? (7) |
| STUTTER – Speech + Therapy + UTTER. | |
| 18 | One can be charged for assault (7) |
| BATTERY – you could call it a barely cryptic hint, or a second definition. | |
| 19 | A rugby player (huge, incidentally) (7) |
| APROPOS – A + PROP + OS. | |
| 20 | Maximally upsetting news ultimately set dad off (7) |
| SADDEST – newS ultimately + anagram (off): (SET DAD)* | |
Another Saturday in the true spirit of the Times cryptic – reasonably conventional, but entertaining and innovative at times as well.
Amusement greatly assisted by the blogger’s Nash example for 24ac.
Quite a few straight out favourites like 8ac TROUSERING and 17d STUTTER. Also some that required savouring, such as 25ac EYESIGHT and the more involved 5d AGGREGATE. Also liked 19d APROPOS although was not totally convinced it equalled ‘incidentally’.
Thought ‘possible’ a bit of a stretch for one meaning of EARTHLY 4d. Had to come here for the ‘does’ equals CONS part of 15ac CONSENT – should have seen? But biffed from meaning and ENT. Quite innovative deletion instruction for 11ac SPINDLY.
Still not completing in times that are worth publishing – yet.
Well done setter and branch.
17:00 WOE
One stupid error: I unthinkingly typed in OFFENSE, even though I’d parsed the clue. A good time shot to hell. DNK ‘tonk’, but that didn’t matter.
Far easier than the previous Saturday one and welcome relief after some very tough Friday puzzles recently.
34 minutes. Nothing more to report other than this puzzle helped a little to restore my recently shattered confidence.
40 minutes. My only question is over POTAGES: if it’s ‘pot’ (cookware) and ‘ages’ (significant time), how does the ‘in’ justify putting the latter under the former?
Thanks branch and setter.
FOI Orbital
LOI Spindly
COD Consent
It is AGE in POTS.
That makes much more sense. Thanks!
Thanks. Fixed.
Pleasant outing, as already mentioned.
At 1dn it is AGE (significant time) in POTS (cookware).
As for Mr Lear, best known nowadays for the Owl and the Pussycat, his limericks may not enthuse today but they were pretty much the first of their kind. I’m not sure if he invented the form but he certainly popularised it:
He reads, but he cannot speak, Spanish,
He cannot abide ginger-beer:
Ere the days of his pilgrimage vanish,
How pleasant to know Mr. Lear!
32 minutes, quite a reasonable time for once on a pleasant crossword, but I would say that it was pleasant, wouldn’t I. Edward Lear is remembered more for his limericks , which were not the greatest I agree, than for for his other stuff. The Owl and the Pussy-Cat is a classic, and who knows but he was probably more involved with his painting and illustrating, which would surely have been enough on its own for him to be remembered.
Lear might be remembered more for his limericks, but perhaps more for the quantity rather than quality. The repetition of most of the first line in the last renders them rather flat to modern ears that have got used to examples of the form which don’t follow that convention and thus have more scope for (bawdy) humour. In contrast, I think his ‘other stuff’ has stood the test of time rather better – you mention ‘The Owl and the Pussy-Cat’, but there’s also ‘The Jumblies’, ‘The Dong with a Luminous Nose’ (no sniggering at the back!), ‘The Pobble who has no Toes’ and, delightfully poignant, ‘The Courtship of the Yonghy-Bonghy-Bo’. And he is indeed rightly known today as an important artist and illustrator.
I was fortunate to find ‘Edward Lear’s Nonsense Omnibus’ (Frederick Warne & Co. Ltd.,1943) in a charity shop or secondhand bookshop. It is copiously illustrated with Lear’s own illustrations and well worth seeking out, imo.
I forgot to note my finish time. Between 30 and 45 minutes in all. Liked the wordplay in 11ac.