This is an example of what’s still a comparative rarity – a Times crossword with an obvious theme. The only others I can remember in the last couple of years are Brian Greer’s puzzle with four symmetrically placed “rubbish” words, and Roy Dean’s Betjeman centenary puzzle. The book named at 18A is published today – which would have been Ian Fleming’s 100th birthday. The amount of thematic material included here is very impressive indeed and I’m certain that this will be a deservedly popular puzzle. The references to the films seem restricted to the older ones, which is good for old fogeys like me who haven’t seen Bond in the cinema for a decade or three and have never read any of the books.
Across | |
---|---|
1 | BOND – OO,SEVEN is hidden in “TATTOO, SEVEN-DAY” in the last column of the grid. Although I didn’t get this immediately, I didn’t just forget it and move on as usual. Because of the reference to “last column” I had a look at 8 and 17D. Solving the first but not the second, and not noticing the Diamonds are Forever reference in the second, I initially wondered about TOOL as an answer to 1A, but then plumped definitely for BOND as the theme emerged, and justified the SEVEN in SEVEN-DAY. |
3 | ENEMY=Yemen*,A(GEN)T |
9 | AUTOMAT(ic) – a “chiefly US” shop where you buy food and drink from vending machines. I think I’ve seen one or two in New York. “somewhat shortened” seems to be a nod to the usual convention by which “almost XXX” means that you only ditch one letter. |
11 | CAT,MINT – CAT = computed axial tomography. Shame there are so few words with MRI in them to make another scan worth considering. Blofeld was Donald Pleasence with a white cat on his lap, of course. |
12 | SUPERHERO – CD |
14 | ALEXANDRINES = (sex,adrenalin)* – verses of six iambs. Not quite free of traditional literary refs today then. But this and a couple of other odd words are a small price to pay for the thematic fun. |
18 | DEVIL MAY CARE – title of the Bond book by Sebastian Faulks published today amid much ballyhoo and given three stars out of five by the Times reviewer. |
22 | EMBRITTLE – (limb,(B)erett(a))* or (lim(b),Berett(a))* – not a word I remember seeing before but the meaning is pretty obvious.Corrected post-comment. |
24 | JAM,AICA=(a CIA)* |
25 | OCEANID = (code Ian)* – a sea nymph |
26 | B(ONES)ETTER |
27 | I-SPY – def. plus CD |
Down | |
1 | BRASS=money,HAT = Odd Job’s weapon |
2 | NO,TAPE,E.P. – Dr No being the first Bond film of all. The person who asked about it=SA yesterday should note {record = EP} as today’s bit of cryptic clue cliché … |
4 | … and enjoy the (more blatant than usual) repeat of IT=SA in N,IT,RE = explosive ingredient. |
5 | MICROFILM – cryptic def. |
6 | ARTILLERY FIRE = (rifle it rarely)* |
7 | EM=me rev.,I(G)RE – another note for beginners: crossword convention says that “I” or “me” is the setter, and “you” is the solver. |
8 | TAT,TOO |
10 | MORTAL ENEMIES – cryptic def using another book/film title |
15 | DRIVER,AN,(agen)T – a tad inelegant when we’ve already had a golf drive in 21, but needs must when the theme drives! |
16 | MARTIN=swallow,I’S |
17 | S(=second),EVEnN=yet,D=diamonds,AY=forev |
20 | HIT,M,AN – “leader in espionage” falsely suggesting E to those who solve by recognising common cryptic devices, but indicating Bond’s boss this time. |
23 | BLOKE – O=cipher in KLEB(b)* – etymology anoraks will remember that “cipher” and “zero” both come from the same (Arabic) source. |
No need for a pie chart today – a couple of lit/mythology points for alexandrine and oceanid, off the scale for popular culture!
As a rule, say in the Guardian, I don’t llke the strongly thematic puzzles since it all comes down to getting the theme and then the answers to most of the puzzle are obvious. This Times style version where the theme is evident but it doesn’t help that much is more interesting.
Many thanks to the setter. Great work.
I enjoyed the Times puzzle, and suggest that others who did also have a go at the Independent one.
M STOP EYES ONLY STOP LOCATED BLOFELD SECRET BASE STOP 20 WESTERN INTELLECTUALS HOSTAGE STOP KNOWN AS SETTERS STOP INSERTING SUBLIMINAL MESSAGES TIMES XWORD THRU OBSCURE LITERARY REFERENCES STOP BRAINWASHING WORLDWIDE ARMY SOLVERS AS SPECTRE AGENTS STOP FEAR ALREADY TOO LATE STOP WILL ATTEMPT DEPROGRAMMING THRU INSERTION RISQUE SEXUAL REFERENCES AND DOUBLE ENTENDRES XWORD STOP WISH ME LUCK STOP 007 STOP
Tom B.
TO AGENT SETTER STOP GREAT WORK STOP SUITE BOOKED FOR YOU GRAND HOTEL MUSTIQUE STOP MARTINIS INCLUDED STOP FIND YOUR OWN GIRL STOP Q STOP
What will make it interesting, though, is how solvers get on with it (mine, I mean) because what I found with this one is that recognising the theme served as a (perhaps unwelcome?) shortcut to placing answers. This was a pretty quick solve for me, just over 10 minutes, but many of the answers went in without thinking and without attempting to parse clues – it was as if I knew what to expect.
COD 16D, and one minor quibble (the grammatical correctness of “mess” as the anagrind in 24), but overall an extremely enjoyable, well-crafted puzzle.
On top of that, some great clues – loved 17d, 3a, 23d.
Re: AUTOMAT, one opened in NYC about two years ago, haven’t been there yet.
And if you want to see the Feral Chihuahaus take on the spy/secret agent film genre, check out Pope Benedict XVI PI
Vijay
Edited at 2008-05-28 01:09 pm (UTC)
I quite enjoyed this as a change from the norm and I think as a very occasional thing it is to be encouraged if there is a significant anniversary. For those who disagree there’s always another puzzle tomorrow
JohnPMarshall
This puzzle was bound to leave a few people out in the cold, but I’m in favour of an occasional themed crossword, if only to break the routine.
And there is something of a family line connecting the world of cryptic crosswords with that of the spooks, no matter how fancifully portrayed. Didn’t I read somewhere that the codebreakers of Bletchley Park were often recruited on the basis of their ability to solve the Times or The Telegraph? Or is that apocryphal?
So, be warned, all who resisted today’s mission, especially if you’re a quick solver. If the balloon goes up, you’ll probably find M, or Q or Moneypenny knocking on your door one dark and rainy night…
Different to the themed puzzles in, say, the Guardian, where I often find I have a three-quarter empty grid after half an hour, and then the penny drops, and everything comes in a rush. I think I prefer this sort, rather than the feast or famine that follows when you realise what the theme is, but also that you have no expert knowledge of it…
I understand certain people feeling left out by themed puzzles. I get that frequently when the Guardian or Indy are themed around composers or playwrights I don’t know. But – and here’s the thing for me – I don’t understand your gripes because I usually enjoy those puzzles nevertheless… I just enjoy them in a different way. Because it means I then have to do a bit of research to finish the crossword and, in the process, learn something new about someone or other. If you stop seeing the only joy being in doing it in record time, you see, there are other things to enjoy.
Besides, if the sum total of your Bond experiences are as you say (some of you), I think you may have spent far too much time doing the Times crossword for years, and not enough engaging with the world outside your door!
😉
You’re right though, it does come across a bit pious in the middle. I was just struggling to express myself. All I was trying to say is that I actually actively enjoy it when it’s themed and I have to do a bit of research around the topic — I genuinely get a thrill from it, rather than resent it. (Again, hardly marks me out as one of life’s adrenaline junkies.) And I said that simply because I was mystified that people seemed to be decrying the theme simply because they didn’t know any James Bond, and were annoyed that this had slowed them down.
Anyway, agree with all that this was really excellently put together – and also that this format of theming the clues but not necessarily the answers is a great one, and much more inclusive than eg some mad Spenser-inspired, cross-referential, Araucaria dottiness in The Graun.
BTW: I’m only anonymous because I don’t have an LJ account. I’m Steven and I live in East Grinstead. You can call me Steve.
I’ve been waiting for this site my whole life – a life mostly spent (until now) with an agonising one or two answers still to get on a pile of cryptics in my WC. So the site rocks my world, and I don’t want to rock its boat.
Steve
Tom B.
There are just the 3 “easies” not in the blog:
13a Slowly revealed in spectacu LAR GO ldfinger part (5)
LARGO. As in Largo from Xerxes by Handel.
21a Use Aston Martin, say, in first shot (5)
DRIVE. We feel a bit possessive about the Aston Martin here in Newport Pagnell but, sadly, not many of us own one.
19d Casual work for villainous sidekick (3,3)
ODD JOB. Goldfinger’s bowler-hatted henchman in the eponymous book (1959) and film (1964).