Solving time: 5m45s – Got held up badly at the end by 6d/7d/13ac which was feeble – guessing correctly at 13ac but then worrying enough about the other two that I crossed it out before re-writing it in! Somehow one start in each corner provided the tipping-point for that area until then, though I didn’t think this puzzle utterly simple, despite the proliferation of old familiar constructions.
Across
1 |
CUB + A – I quite like CUB = Ursa Minor |
3 |
C + ASUS BE (anag) + ILL (rev) – again, a piece of cake for classicists |
13 |
TENSE, 2 defs – “not together?”, I take it, means ‘strung up’ or ‘nervy’. |
14 |
MAIDEN SPEECH, anag & lit – Very neat clue with ‘originally’ a well-selected anagram indicator. ‘Penning’ is probably just chosen to encourage a possible expectation of a container indication. |
18 |
VIN ORDINAIRE, anag – Nice anagram indicator again to bind the clue. I listened to a Frenchman gently explaining the concept of drinkable table wines to some English people in a restaurant on Tuesday – though he spoke English, they were talking different languages. |
22 |
TIPPERARY, cryptic def, reference to “It’s a long way to…” a well-known ‘air’. |
24 |
HEAT in SHE – the hardest clue here, maybe, with ‘that woman’ and ‘put up’ being pretty tough to identify the real meaning for? |
26 |
ASTRID IN in E.G. – careful construction to allow IN to be part of the contents. |
Down
2 |
JAM in BENIN – an old chestnut. |
6 |
BEAUTY CONTEST, cryptic def – In hindsight, obvious – but at the time I suspect that as usual on seeing C-N-E-T I fell into my usual panic about how many possible words fit this pattern including several that I invariably forget to think of like CONCEIT and CONTEXT. This all blurred my thinking. |
7 |
LIT A NY – Nothing clever going on here except an unusually long definition – enough to fox me. |
8 |
IN DEED – wordplay-in-answer, describing how ‘flat’ converts into ‘deflated’. Not problematic for Araucaria aficionados. |
16 |
P + IN A “FOUR” – Another elegant construction with the excellent “musical craft” linked in neatly to two other music elements |
19 |
“CHASED” – one of those ambiguous clues – some inveigh against these, I don’t really mind if they’re disambiguated by checking. |
R. Saunders
* not that I did understand it – ‘chase’ = ‘engrave’ meant nothing to me.
My parsing is:
Wine = TENT (if baffled, look up ‘tent’ in the dict.)
and = (goes next to)
spirits = PEG (the sense you mentioned)
“a guy can get attached to” = definition (guy = tent-securing rope)
I don’t think there’s any “double duty” going on, but there is a bit of “implication” in the def., which some might say should be something like “something a guy can get attached to”, or “a guy can get attached to this”. Best I can offer without spoiling the surface is “which a guy can get attached to”. For the clue comp, I’d suggest trying to avoid this “implication” issue as well as double duty.
9a Wine and spirits a guy can get attached to (4,3)
TENT PEG. See above.
11a Tried eating duck cooked in one way (7)
T O ASTED
12a (Recitals)* composed to include (n)ew instruments (9)
CLARI N ETS
21a Greeting covers small island and part of large one (5)
H AIT I
25a Hollow in road, however, quickly covered by staff (7)
PO THO LE
27a Wood for a split deck (4)
DEAL
1d Modern kind of scanner to search around a burial site (8)
CAT A COMB
4d A shrub planted round front of garden in row (5)
A R G UE
5d Engaged in doing drug, fully informed (2,2,5)
UP TO SPEED
10d One needing MP’s backing (5,8)
PRIME MINISTER
15d Tiny lead (horse had)*, frantically covering last part of straight(t) (5,4)
SHOR T HEAD
17d OK? Better than just OK (4,4)
VERY WELL
20d Various seabirds (6)
DIVERS. I had EIDERS – they are seabirds but not so various!
23d Briefly visit old man at home (3,2)
POP IN