I got 14ac and 57ac early on when solving this and thought there might be a wine theme, but – unless you also count 47dn – it looks as though it was just coincidence. 38dn was a new one on me.
As always, * indicates an anagram.
| Across |
| 1 |
COROT – hidden in sculpTOR OCcupied (reversed) |
| 4 |
MEMORANDUM – MAN + DUMb, around Rome (reversed |
| 9 |
CHEQUE – sounds like ‘Czech’ (though possibly not if you are Czech) |
| 14 |
SAUVIGNON – S + AVIGNON around U |
| 15 |
ARGUS PHEASANT – (ragu’s)*, + PEASANT around H |
| 16 |
ANDORRA – AND, + RR in Overgrown + A |
| 17 |
REPELLENT – REEL + LENT (the time of fasting), around Partner
|
| 18 |
DERBY – double definition |
| 19 |
CHICKEN-HEARTED – CHIC + KEN + TED, around HEAR |
| 22 |
TODDLER – Taste + ODDER, around L |
| 25 |
ENTERPRISE – ENTER, + PRISE (sounds like ‘prize’) |
| 27 |
DAILY EXPRESS – Y, in DAIL + EXPRESS |
| 30 |
INIGO – IN I GO! |
| 31 |
BRICKBAT – BRICK + BAT |
| 32 |
LARBOARD – LARD around BOAR. Definition is ‘Sailor’s left’ |
| 35 |
DETRAINS – (and tries)* |
| 36 |
ANACONDA – ANA + CON + D.A. |
| 37 |
SCION – C in SImenON |
| 39 |
REDISCOVERED – DISCO, in REVERE (Paul Revere) + D |
| 41 |
DEGENERATE – DissolutE + (teenager)* |
| 43 |
DEMOTIC – DEMO + TIC |
| 45 |
REPRESENTATIVE – cREATIVE around PRESENT |
| 48 |
PANTO – PAN + This Outrageous
|
| 49 |
UNSETTLED – double indication |
| 51 |
PALERMO – PALER + MO |
| 53 |
INCORPORATION – IN, + CORPORATION (old-fashioned jocular term for a belly) |
| 54 |
NEAR THING – N + EARTHING |
| 55 |
YONDER – hidden in beYOND ERitrea’s |
| 56 |
TENDERFEET – TENDER FEET |
| 57 |
PINOT – PI + NOTe
|
| Down |
| 1 |
CO-STAR – (Actor’s)* |
| 2 |
ROUND THE TWIST – ROUND + THE TWIST |
| 3 |
TRIER – R in TIER |
| 4 |
MONTAGE – MONTAGuE |
| 5 |
MONARCHISTIC – (rich)* in MONASTIC |
| 6 |
REAPPEAR – REAP PEAR |
| 7 |
NIGEL – In, reversed, + GEL |
| 8 |
UNSTEADILY – (Lady Justine)* |
| 10 |
HOARDED – could, with a lot of imagination, sound like ‘whore did’ |
| 11 |
QUADRILLE – A DRILL in QUE |
| 12 |
ENTRY – sENTRY |
| 13 |
WHAT’S THE DAMAGE – double indication |
| 20 |
CORPORALS – CORPSe around ORAL |
| 21 |
TEA-DANCE – first and last letters of each of the words ‘The Aged Association convene’ |
| 23 |
RESIDENCES – (See cinders)* |
| 24 |
BEWILDERED – BE WILDE + RED |
| 26 |
ROBINSON CRUSOE – ROBINS + ON, + CRU (sounds like ‘crew’), + alternate (odd) letters of ‘scored’ |
| 28 |
PUBESCENT – PUB (‘local’) + E + SCENT |
| 29 |
SKIN-DEEP – N + DEE, in SKIP |
| 33 |
ANIMADVERSION – pANIc + MAD VERSION |
| 34 |
INDEPENDENCE – (dined)* around PEN, + ‘ENCE |
| 38 |
PETRISSAGE – TraineR after PE, + I’S SAGE |
| 40 |
DOMINICAN – DO + MINI + Cool + AN |
| 42 |
DECLINER – DEC (short for Deceber) + LINER |
| 44 |
TOO TRUE – TOOT + RUE |
| 46 |
TOPMAST – (Toast MP)* |
| 47 |
ROTGUT – ROT + GUT (German words for ‘red’ and ‘good’) |
| 48 |
PLINY – PL + I + NY |
| 50 |
THIRD – Teachers + HIReD |
| 52 |
LIT UP – UP, after L + IT |
Does anyone else have thoughts on this?
Ong’ara,
Nairobi.
‘gel’ is a (rather outdated) upper-class English pronunciation of ‘girl’.
‘corpse’ can mean – in the theatrical context in the UK; I’m not sure whether it’s much used elsewhere – to unintentionally step out of character by laughing, or to be so incapacitated by laughter as to have to stop performing.
All the best, Helen