Solving time: 11.48
This puzzle seemed to have a very high proportion of proper nouns among the answers. I hesitated for a quite a while at the end before writing in 5A and 5D, because I couldn’t figure out the wordplay for either. Then I saw how 5D (WIT) worked – 5A now had to be WOODCUT, so I wrote it down, stopped the clock and left the wordplay for later.
I found this a pleasant but not outstanding puzzle. There are some neat surface readings, though in most cases I didn’t even notice them at the time.
Across | ||
---|---|---|
1
|
C,Y,C,LOPS – a Cyclops is a giant with a single eye in the middle of its forehead. | |
5
|
WOODCUT – the wordplay for this puzzled me for a while, but I think it must be that “as plan” are two words that can be formed by removing the last letter of a tree (ash, plane) and are therefore two examples of wood, cut. | |
9
|
C,OLD FRONT = “front” here in the sense of boldness. | |
10
|
TERSE, hidden in quartermasTER SErgeant. | |
11
|
REITH – (their)*. John Reith was Director-General and Chairman in the early years of the BBC . | |
12
|
EFFECTIVE – is this a triple definition? “operative” and “producing the desired result” seem to be definitions, though I wasn’t sure about “striking”. | |
14
|
TREASURE I,S,LAND – with “treasure” and “love” here being terms of endearment. I got “Shetland Island” into my head, led astray, as intended, by the yarn, though in my defence, “good yarn” immediately sounded to me like a story, so I thought that by forcing myself to think of the other meaning, the sheepish one, I was actually avoiding the setter’s trap. | |
21
|
RE(GIST,R)AR – essence=GIST, right=R, all inside (cased) by REAR (back). This held me up a while because “in back case” seems at first glance much more likely to indicate a reversal of a word meaning “case”. | |
24
|
INTRO (IN TROY, not finishing). Priam was murdered in the sack of Troy. I expected at first that I would have to think of a 6-letter overture and remove the last letter to reveal the deathplace of Priam, which led to nothing but the unpromising EGMON. | |
25
|
PAST,ORAL,E – another musical movement following neatly on from the INTRO. I had always thought of a pastorale as a piece of music, at least, though from the clue it seems it could also be a play. | |
26
|
HOL(B)E,IN – HOLE=predicament, IN= at residence. A very friendly clue given that Hans Holbein is surely one of the most famous of all court painters. | |
27
|
NEEDFUL – “heedful” with the H replaced by an N (“new for husband”). This was the first clue I looked at and the first I solved – I saw right away what was going on, though had to juggle my way past “heeding and “needing” to get there. | |
Down | ||
1
|
C,ICE,RO – C=about, ICE=chill, and RO=half of Rome. | |
2
|
COLLIER, both a ship and a coal miner, though if that’s all there is to this clue it feels a bit awkward = “Cargo ship, one unable to…” would sound right. But I may have misunderstood. This often happens. | |
3
|
OFF THE AIR – behaviour that’s “a bit off” is unfair or unacceptable. | |
4
|
STONECUTTER – “coping” is part of a brick or stone wall. | |
5
|
WIT(h) “having” is the definition for WITH, which loses the H (“lead in Helmand”.) A moment’s mild panic at the thought that I might be expected to know anything about the geography of Afghanistan. | |
6
|
OP,TIC | |
7
|
COR,SI,CA. COR=my, as in “oh my” and “cor blimey”, and the rest is AC (air conditioning) and IS, all reversed (set up). | |
8
|
THE BENDS | |
13
|
FLEET PRISON, made up from STIR, E (English) and FELON, all anagrammed around a P (penny). | |
15
|
S(E,MAP)HORE – “fixing” must be a containment indicator, which i didn’t realise at first glance. | |
16
|
QU(IRK)IS,H – a good example of why it’s always worth trying out a Q at the start of a word where you have U as the second letter – though in this instance the Queen was helpfully present to give a regal nod in the right direction. | |
18
|
DIGIT,A,L – “Dig it” is what you might do to a plot of land, and A L = “a line”. | |
20
|
CAVE,LL, a reference to Edith Cavell, a British nurse killed by German firing squad. “Cave” here is a slang word for “beware”, derived from the Latin cavere (to take care). | |
22
|
S,TORE |
I got into a little trouble with ‘Holbein’, thinking it was ‘Hals’ plus something. I also thought 7 down must start with ‘CA’, leaving an upside-down 5 letter word meaning ‘my’. I wasted the last ten minutes on those two.
I didn’t bother with a few of the cryptics, not seeing the mechanism of ‘woodcut’ and ‘needful’. Hardly necessary, really.
This continues the run of puzzles of at least moderate difficulty, depending on exactly what you know, and how good you are at extracting what you don’t know from the cryptic. It will be interesting to see how Kevin does.
First in CICERO, last in CAVELL. COD 6d OPTIC – nicely done.
Just one query: doesn’t “odd behaviour” –> QUIRKISH break the rule about parts of speech?
Surely QUIRKISH is “with odd behaviour” and then the part of speech is OK.
I finished in 50 minutes with at least 10 consecutive unproductive minutes along the way i.e. I was completely stuck.
Some of the wordplay (WOODCUT, WITH) was too intricate for me to spot even after solving the clues, and I always find this rather disappointing. Like the setter has gone to a lot of trouble and it was completely lost on me as i just solved it from the definition and checking letters.
On the other hand there were some feeble things too unless I am missing something e.g. COLLIER at 2dn as Sabine has already pointed out, THE BENDS at 8dn where I spent ages considering “drivers” might somehow become “divers” to make the clue more devious (and interesting) than it was, and the definition “Where one might replace clothes” at 22dn. One might replace anything in a store.
Kevin, an optic is a gadget fitted into the necks of inverted bottles which dispense the correct measure of spirits for example, hence the “bar” reference at 6dn.
Collins has “effective” = “striking”.
For COLLIER, I think “unable to avoid contact with mine” is a misleading description of the ship rather than a definition for “coal miner”.
Left half complete in about 20 minutes and all but 6 answers at around the hour.
Breakfast, ablutions etc., then solved NEEDFUL and dredged the COR! from “My” for CORSICA.
These allowed me to guess the others and although I eventually worked out FLEET PRISON, had no idea about the wordplay for WIT, WOODCUT and EFFECTIVE.
Don’t care much for WIT or EFFECTIVE but WOODCUT is my COD. I think some while before I will be able to solve clues as classy as that.
Oh! And 1 mistake with WAVELL which it could be argued,works.
Also nice to see the Fleet Prison again, once renowned as England’s most expensive, in the days when they were profitable institutions.. http://en.wikipedia.org/wiki/Fleet_Prison
London has a rich supply of old prisons such as the Clink, Newgate, Marshalsea etc.
Didnt help to have put in STONEFITTER (ie dieting makes you fitter) and I am sure if I had plumped for CUTTER, then TREASURE would have been obvious. As it was, TREASURE made me realise that FITTER was wrong. Surprised that _S___D did not throw up ISLAND, since i spent ages wondering what sort of word could possibly fit in there. Perhaps I should have used trial and error starting with the vowels, may have got there quicker.
Had WIT lightly entered since the beginning, but not knowing why I was hesitant to commit to it. Also spent way too long assuming 7 was an anagram of MYAIR sitting atop SI, and needed WOODCUT to change that plan.
All in all it was a decent crossword with the exception of 2D which i still dont quite see, and i put a lot down to my stupidity rather than any bad setting.
The intersecting WOODCUT and WIT are particularly good. I don’t personally consider that I’ve finished a puzzle until I’ve both filled the grid correctly and understood the wordplay (so I’m not operating to Cheltenham rules) and these two stretched a 25 minute “Cheltenham solve” out to a nearly 30 minutes personal solve with WOODCUT particularly tricky.
FLEET PRISON was predominantly a debtors prison which makes 13D a particularly good clue.
I wonder if you noticed the setter’s comment at the end of yesterday’s blog?
I got off to a bad start by confidently entering Pantomime at 25A, reading it as a brilliant &Lit. I had to abandon the idea when I got Not Half, which could not be anything else
But – I don’t think we have a satisfactory explanation of EFFECTIVE yet.
I’m sure others are like me and have the odd really bad solve in the week or so before – notably when the puzzle the day before the first Cheltenham finals, 6 years after the previous championship, was a real stinker and took the reigning champ an agonising 37 minutes, partly because of an unnoticed wrong answer. It’s here for those with crossword club membership.
Tom B.
“here are two examples as plan” works, as does “as plan can show”. Fully punctuated the given clue reads “… here are two examples: ‘as’, ‘plan’ can show”. Something wrong, methinks.
I don’t think the triple def in 12 is very ‘effective’, mainly because the definitions are fairly close.
No real complaints, however. Some good surfaces and a nice &lit for FLEET PRISON.
I stupidly put PASTORALS in at 25a, and subsequently had -A-S-L at 20 which remained unsolved.
I had no problem remembering where Priam was killed, having only watched the Brad Pitt film two days ago, in which the marvellous Peter O’Toole played the Trojan King.
Like several others, 1a/1d went straight in, as did the long anagram at 17. I was quite pleased to get the proper name references in REITH, HOLBEIN & FLEET PRISON – I often struggle with these.
Several went in without full understanding – COLLIER, WOODCUT, WIT, TERSE & SEMAPHORE. COD 13 for the neat &lit.
18 was nicely worded.
1ac rock – synth-heavy, baggy nu-rave festival favourites Digital Cyclops
Bamboozled by perfectly fair clues – just a case of not getting onto the wavelength, but I’m glad I persevered as there’s some lovely stuff here. CYCLOPS – very smooth surface; WOODCUT – a novel approach; HOLBEIN – great to see new wording for “in”; STONECUTTER – love “coping”; OPTIC – beauty; CORSICA – ditto; FLEET PRISON – brilliantly constructed; DIGITAL – “what one may do to plot” is marvellous; CAVELL – straightforward but nicely observed; PAN – wonderful.
I enjoyed this greatly, despite the punishment, which is what sets me apart from Max Mosley.
Q-0 E-8 D-8 COD 25D PAN – perfection
PS: Apologies for mentioning sudoku. It won’t happen again.
Chambers has first entries “full of need”, “having need” but goes on to list “necessary” & “requisite”. I hadn’t been aware of these takes on it until Stephen King’s novel Needful Things was published.