ACROSS
1. PRAGMATIST – RAG (‘kid’) + MAT (‘floor cover’) + IS in PT.
6. CROW – C+ROW. ODO tells me that c/C is ‘the third fixed constant to appear in an algebraic expression, or a known constant’.
9. CHANSON – S in CH + ANON (‘shortly’); literal ‘Number in French’. Here’s a nice one by Fauré.
10. MATINEE – IN + [mortgag]E in MATE (‘couple’ as a verb).
12. DENIGRATOR – DENI[m] + GRAM[n] + TOR[e]. A creative and clever clue.
13. AXE – reversal of EXA[m] – and a chief candidate for biffing.
15. LYRICS – obtained by omitting every other letter from pLaYeRs In CaSt.
16. UNPACKED – UN + PACKED (sounds like ‘pact’).
18. DOMINION – OM + IN + [sem]I[nar] in DON.
20. POMPON – ON preceded by POMP. No, I’d never come across this spelling either.
23. OIL – a nice reverse hidden in MilLIOnaires.
24. RED SNAPPER – RED + SNAPPER. Boom, boom! or хи-хи-хи! as they say in Russia.
26. PADDLER – L in P + ADDER (where ‘summer’ is to ‘adder’ as ‘banker’ is to ‘river’).
27. AMNESIC – anagram* of CINEMAS.
28. ROCK – [c]ROCK.
29. ASSESSMENT – ASSES + M in SENT.
DOWNS
1. PACY – C in PAY.
2. AMATEUR – A + MATURE with the R raised. My last in – unparsed to boot.
3. MASSIF CENTRAL – FRANCES MIST[r]AL* (anagram indicator ‘blows’; deletion indicator ‘one right away’) and a semi &lit by my reckoning, even if a slightly inaccurate one, if, as Wikipedia tells us, the tramontane is actually more a Massif Central wind than the mistral, which tends to be more Rhone valleyish.
4. TANTRA – ANT in TRA[nce].
5. SEMITONE – the literal is ‘interval’; ITEMS* + ONE.
7. RANSACK – RAN + SACK (‘vintage’ in the sense that is ‘a dry white wine formerly imported into Britain from Spain and the Canaries’).
8. WEEKENDING – WEEDING around KEN (‘field’ as in range of knowledge). I’ve no idea what ‘all’ is doing or adding.
11. TOREADOR PANTS – Although I’ve never donned a pair, I am told they are tight-fitting calf-length trousers; RE + ADOR[e] in TOP + ANTS. I am reliably informed by Paul the Genius – a member of our quiz team – that ‘toréador’ was coined for the opera Carmen because it better fitted the rhythm of the aria popularly named after it than ‘matador’. Listen and decide. And…for an alternative view of traditional Hispanic culture, check out Michael Flanders’s take on the ‘primeval drama of man pitted against the olive’.
14. CLODHOPPER – CLO[the]D (‘dressed without the’) + HOPPER (‘jumper’).
17. HONDURAS – literal ‘republic’. NO reversed + DURAS on H (last letter of fourtH). Marguerite Duras was a French writer, best known for writing the 1959 film Hiroshima mon amour. A tricky one to parse, especially since the traditional Japanese drama is more commonly spelt NOH. Not to mention the existence of a more famous French writer called Dumas.
19. MELODIC – E + IDOL reversed inside MC. Vies with 13a for BOD (biff of the day).
21. PRESSIE – PRESS + IE.
22. ENRAGE – A+GREEN*.
25. SCAT – first letters of the last four words in the clue.
Nice to see a real fish, as opposed to a ling, tench, rudd or ide which I’ve never heard of outside crosswordland.
MASSIF CENTRAL and CHANSON constructed from wordplay. LOI AXE.
Thanks setter and U.
Edited at 2016-03-21 05:45 am (UTC)
As for the TOREADOR: in the original Mérimée, he was called Lucas and was a picador — and of minor importance to the story. Henri Meilhac and Ludovic Halévy have much to answer for.
Reason? I decided that 20ac was obviously TIEPIN! And why not! POMPON is obolete in my dictionary (Chambers)!
FOI 1ac PRAGMATIST LOI & COD HONDURAS Didn’t parse 15ac LYRICS
as the answer was so obvious.
So a rare Monday failure – which bodes dodgy for the rest of the week.
At least the Quick Cyptic was a PB!
Roll on Tuesday.
horryd Shanghai
Good blog as usual Ulaca, though I took “constant” to be the speed of light, i.e. “c”.
Edited at 2016-03-21 08:22 am (UTC)
My solving is often characterised by the bunging in of answers with a sort of nebulous, inchoate understanding of the wordplay. This is perfectly illustrated by 17dn, where I put in the answer and moved on in the belief that the drama was NOH and the French writer was DUMAS. It’s a wonder I ever finish all-correct.
Edited at 2016-03-21 09:30 am (UTC)
Thanks Ulaca for unravelling this twisty offering, especially CHANSON: I wasn’t even close to the wordplay when I finally twigged what a French number was. I reckon you owe someone an eye tooth.
Edited at 2016-03-21 10:06 am (UTC)
Edited at 2016-03-21 03:13 pm (UTC)
What slowed me down was a careless ‘mantra’, which made ‘pragmatist’ difficult until it became inevitable. Everything else was fairly straightforward but took a little thinking. I nearly biffed ‘massif central’ as I was just starting out, but thought that was too obscure to use in a puzzle.
I like the sound of terrapin pants I must say. The bottom half of a shell suit?
I too failed to parse 2dn until a while after the event, and was in mortal terror that 17dn would prove somehow wrong, as I’d fixated on the writer being DUMAS. Oh well, Mondays eh?
See you at the TT Bach cello recital!
Thanks for the blog ulaca – and just to illustrate how studiously I read it, there is a minor typo (rogue M) in your explanation of 12a.
And as for C, although it is the speed of light it can be other constants, too. Mathematicians have a sort of convention for using a, b, c for constants, w, x, y, z for real or complex number variables, other ranges for rational or whole number variables and the remaining Roman letters or the entire Greek alphabet for whatever is convenient (well, in general terms anyway).
Edited at 2016-03-21 10:38 pm (UTC)
In the end I bunged in POMPO without realising that the word I’d created was actually POMPON rather than POMPOM, but I’m familiar enough with the former not to have been fazed by it I’ve I’d actually spotted it.
There are those who might blame my failure on my recent purchase of a few bottles of Plymouth Navy Strength gin – a very pleasant upgrade from my usual tipple. However, a far longer period of data-gathering will be required before any correlation can be reliably established.
Can it really still be only Lundi?