Solving time: 8:38
Apart from some carelessness at 15D and a partly self-inflicted brief struggle with the last few in the SW corner (16, 14D, 20, 25), this was fairly plain sailing combined with some skipping of the wordplay analysis until afterwards – 8 answers went in without complete understanding: 9, 11, 16, 21, 25, 26, 10, 15.
A straightforward puzzle, but there’s plenty to write about so I think it’s the right kind of straightforward puzzle. With a wake and a bier to go with being accident-prone and lying down, this seems a bit funereal.
Across | |
---|---|
1 | STANHOPE = the carriage – STAN=Laurel, HOPE=Bob, both of whom we’ve seen before. |
5 | VI(R)GIL – here “wake” is not a party after a funeral, but events before |
9 | ABYSS=pit,IN=all the rage,IA=reverse of A1 = “way” |
11 | STILT – |
12 | F.A.,N.(TAS=sat rev.)Y. – if sit=brood seems far-fetched, think of chickens |
13 | C(RIME)AN – Crimea is part of Ukraine, though probably the most Russian part, and the clue refers to the crossword setter’s second favourite poem (after If), Coleridge’s Rime of the Ancient Mariner |
14 | DIDO AND AENEAS – opera by Purcell – (Aida, one, sad end)* |
16 | INS(T.(A)N.T.)ANE,O,U.S. – I liked “mad old American”. |
20 | BEN(GAL)I(n) |
21 | PREVAIL – AVER=maintain in LIP=impudence, all reversed |
23 | R,EACH – |
24 | GROUNDING – 2 defs, one the RAF term now mainly used for teenagers temporarily banned from partying |
25 | YIELDS – a very smooth clue which disguised its wordplay longer than any other for me – alternate letters in “bY fInE bLaDeS”. |
26 | ME(R,CH.)ANT – “head of Roman church” has to be divided up carefully here. Antonio, not Shylock, plays the title role in the Shakespeare play |
Down | |
1 | STAFF,A – “crook” as used by shepherds and bishops |
3 | H(USB)AND – USB for “sort of port” is great stuff |
4 | PENNY-FARTHING – old-fashioned push-bike, also known as an “ordinary”, harking back to yesterday’s puzzle. A farthing being a quarter of an old penny, it’s “five times the minimum charge, once” |
6 | INSP. as in Morse,IRE |
7 | GUILELESS = (I’ll use legs – L)* – I award the usual brownie point for indicating removal of just the one L |
8 | LUTE,NIST=isn’t* – lute is “liquid clay or cement, used to seal a joint, coat a crucible, or protect a graft” (COED), which “protective covering” summarises rather well |
10 | ACC(I’D)ENT,PRONE=lying down |
14 | DI=female,S.E.N.,GAGE – another brownie point for reflecting the fact that you can no longer become an SEN. |
15 | BI(LB.)ER,RY – I hastily wrote in MULBERRY from fruit and lb., not bothering to wonder whether MUER was actually a word – saved later by the difficulty of completing 14A. A bier is a frame used to support a coffin. |
17 | A(BASH=party),ED. |
18 | OCEAN=canoe*,I,C |
19 | FLIGHT – the vanquished may “take flight” – solved after a bold guess at GROUNDING from 24. |
22 | AN(I’M)A – your true inner self in Jungian psychology. |
Probably means I have something wrong? Any early birds with the answers I would be grateful.
CRIMEA is me being thick but STILT I wouldn’t have got ever and I suspect will cause others problems.
Will be able to relax now for the rest of the day.
13A – CRIMEAN – RIME (of the ancient mariner) inside CAN = jail.
Mike, Skiathos
ana n pl (or collective sing with pl a’na’s or a’nas) a collection of someone’s table talk or of gossip, literary anecdotes or possessions.
Mike, Skiathos
At 20acI had considered STILT but even having cheated and with a list of possibilities in front of me I couldn’t justify any of the words. I didn’t know the bird and was actually looking for a 4-letter one _I_T as I assumed the S was accounted for in the clue by “pole”.
Other than that I was quite pleased the way this turned out after a very slow start as for the first 15 minutes or so I thought I might be very lucky to complete even half of it on the commute.
It took me a few minutes to see why it’s PENNY-FARTHING, because I can’t count.
14a quite pleasing (although of course Aida also has a pretty sad end).
“my” is not part of the answer, and “embedded” is not part of the clue! Taking it slowly: this writer’s = this writer is = I am = I’m
“embodied” isn’t doing much here so “embedded” is an understandable misreading – I’ve done this kind of thing myself when reading clues quickly.
Lute – “A substance, such as dried clay or cement, used to pack and seal pipe joints and other connections or coat a porous surface in order to make it tight” – The American Heritage dictionary.
I’m in the wilds of California with no Chambers anywhere so I have to admit that was Google.
I never thought STILT would present a problem. I also had it as just two meanings 1=pole 2=wading bird found on the shore (the definition I got straight away).
No quibbles – nice enjoyable puzzle.
Stanhope reminded me of how many obscure coaches and carriages there are waiting to catch us out. If you do a reverse search for carriage on Chamber’s CD-Rom you get about 170 hits. I’ve just found a new one: désobligeante for a one-seater carriage, from the French for unaccommodating.
Edited at 2009-09-09 10:53 am (UTC)
Tom B.
The most annoying one was ‘Dido and Aeneas’. I have over a dozen recordings of this opera, play it all the time, and still couldn’t think of it. As for the other big one, I got the ‘tant’ pretty quickly, but thought the rest was an anagram of ‘O(ld) American’.
Even the ones I got, like ‘inspire’ and ‘prevail’, I had a lot of difficulty figuring out the cryptic. Never saw ‘husband’ at all.
My time was pretty dreadful, but I did enjoy the puzzle.
One quiblette: Can anybody explain what “one’s” is doing in 21? It looks superfluous to me and misled me for a while.
I really must increase my cultural knowledge. The only Dido and Aeneas I know are the pop singer and the policeman in the Dukes of Hazard. What a dipstick.
COD husband.
Right, I’m off to B&Q for a bag of lute as my crucible needs coating.
I’d never met that meaning of of “lute” before, but apparently it’s the same as “luting” which I have come across with reference to pie-making.
tugh but fair
dont know Ana will look it up