Solving time: 12:34
Lots of fun in this one, along with a lot of chewy words. Egeria, sennight, and nilgai are all a bit obscure. And ISA, LMS and Ryde may not be very well known outside the UK. It was Egeria at 11A that took me longest. I baffled myself by deciding that the definition had to be “counties”, expecting “ignoring six” to mean subtracting VI. Once I realised that I shouldn’t lift or separate “six counties” it became easier.
A lot of clues I liked. Particularly 14, 25, 2 and even the simple 21.
(Posting this at 10:35 despite the time at the top (reflecting the placeholder time). And so the first 14 or so comments below were made before this went up. Will try to be earlier next time.)
Across
1 | ABSINTHE – (THIS BEAN)* |
5 | DEC(ember), OCT(ober) |
8 | EMU – hidden. From the Code of the Woosters: “She looked at me like someone who has just solved crossword puzzle with a shrewd “Emu” in the top right hand corner” |
9 | LAUNCE’S TON, ie NOT(rev) – LAUNCE is the clown in the Two Gentlemen of Verona. The last time I remember seeing Launceston it was controversially clued as “capital”. And I am not sure “Commonwealth port” is much better – Launceston is on a navigable estuary, but its port is 40 miles away. |
10 | A G(E)RANGE |
11 | E + (ni)GERIA |
12 | DEE + M |
14 | S (A LAD) DRESSING – great surface |
20 | LEAR – two meanings: King/Edward |
23 | I(rk) M + POSE |
24 | TH(O)ROUGH |
25 | GO IN GROUND |
26 | ISA(ac) |
27 | TSE-TSE – being ((fl)E(fl) + ST)(rev) twice |
28 | SE(N + NIGH)T |
Down
1 | ALEXANDR(i)A |
2 | SQUEEZE – two meanings |
3 | NILGAI – AILING* – a crossword animal |
4 | HOURGLASS – two meanings, and the overall phrase works as well |
5 | DE(E)P END |
6 | CATHEDRAL – (CAR HELD AT)* – the drama being Eliot’s play |
7 | CANT + IN A – my only excuse for being slow on this is that “IN A” were so cleverly hiding in plain sight |
13 | METHOD + IST |
15 | A L.M.S. HOUSE – the former railway being the London Midland and Scottish |
18 | LIM(OG)ES, the insert being GO(rev) |
19 | E(P)ERGNE – the container being GREENE* – took a long time to accept that “Centrepiece” wasn’t part of the architecture |
21 | ELUDING – INDULGE* |
22 | D(RYDE)N – the container being the centre of loNDon |
On the plus side, I now know that Launceston was the birthplace of both Ricky Ponting and David Boon. I’m sure it’s a fine place.
Never seen tsetse in the x word before is it a first outing!?
I’m a bit surprised that EPERGNE seems to have caused some problems because it’s barely a week since it last turned up and was the subject of some discussion here.
The one failure was EGERIA and even given the answer it took me 5 minutes to work it out, again begging the question, why such a difficult clue for an obscure answer?
Not a puzzle for new solvers prone to grumpiness.
Discuss.
Having absorbed advice on lifting and separating, again, like yesterday, I am curious about the apparent redundancy of Commonwealth as we don’t usually get qualifications for ports?
A couple of niggles: I don’t like “to” as a link word (9ac); and 24ac (THOROUGH) could have avoided a peculiar surface reading by using “egg” or (innovatively?) “doughnut” instead of “nought”.
Clues of the Day: 17ac (ALL THE SAME), 6dn (CATHEDRAL), and, despite the punctuation, 19dn (EPERGNE).
I for my part seem to find myself not knowing largely the same things as you, but it tends to take me 20-30 mins in those cases to painfully shoe-horn in some answers, often having to resort to aids. Today it was 3,9,7,11 that ripped my soul out.
What’s the secret ?
Your suggested explanation is right, but I’d add that I’m confident enough to think I can tell when a clue involves something I don’t know. Insofar as there’s a secret, then, it may just be that I give up and start guessing much earlier than you do.
You’re also right that cryptic definitions can be a problem; when I complain about these, it’s usually because (as with NAAFI) I’ve solved the cryptic aspect of the clue and am left with a non-cryptic clue to which I just don’t know the answer, as if I were solving a general knowledge puzzle. (Some people dislike cryptic definitions for this reason; I think they’re fine for things that most solvers will know.) Double definitions are only a problem when both definitions are unknown, which is thankfully quite rare.
Guesswork is a poor substitute for knowledge. I have an annoyingly high error rate – much, much higher than Peter does. Today I made up a place called LAUGHERTON on the grounds that a LAUGHER might be a clown; last week I made up a garment called PELUSHE on the grounds that PLUSHE might be a fabric; and so on. I like to think that, by doing the puzzle and reading the blog every day, I’m becoming less reliant on wild stabs in the dark, but it’s a very slow process. My long-term strategy is just to get older and thus wiser.
Three Shakespearean references today. Cleopatra had her salad days but fortunately she did not have to smother it with salad cream. If she did, she could probably have dispensed with the services of the asp.
Otoh, 4d, 14a, and 16d all made me smile.
Launceston was a late one in for me despite the fact I know the cornish town well.
3d was a complete guess.
Probably about an average time for me.
W
(After all, it IS the Times’ crossword)
Personally I have never heard people say “Individual Savings Account”, but Isa is quite common.
And of course there is the lovely Naafi!
For example, ‘going round’. I was looking for a synonym of ‘whip round’ in the sense of ‘provide enough’, but could not come up with a two-letter word for all. It was only when I got ‘Limoges’ that I parsed that clue correctly.
Well, at least my last in was ‘nilgai’ and ‘Launceston’. For a long time I wanted the clown to be either Jacques or Fenton, neither of whom quite fit.
I was left with 55 minutes total.
I liked the “hidden” indication in 8 and the definition in 6. A nice bunch of clues altogether.
Thanks to the setter for this one