Solving time: 45 mins
Some easy clues to begin with, but I hit the wall at about 30 mins with embarrassing gaps in all quarters which took some time to resolve. Was it just me, or were there some tricky clues here? (That’s a rhetorical question.)
Across |
1 |
(ALAIRDSPOETS)* for Milton’s classic PARADISE LOST. Care sat on his faded cheek for some time until this appeared. |
9 |
RAN + KS |
10 |
RED + CAR + P(r)E(t)T(y) |
11 |
SCHOONER – double definition |
12 |
DEVOTE – double definition (the second cryptic). My Collins has appropriate 4. to put aside (funds etc.) for a particular purpose or person so no quibbles there, although I hesitated until the last minute to put it in. |
13 |
L[(GI)<]AMENT for LIGAMENT. Lament comes from 15ac meaning jeremiad. Connective material, indeed. Luckily jeremiad appeared recently in a Jumbo, otherwise I would have been lost non-paradisiacally. A jeremiad is a long mournful lamentation or complaint, which brings us to… |
15 |
…PLA[I]NT to complete the connection. I’m sure Blackadder could provide an appropriate metaphor for the cleverness of such a pair. |
17 |
PLUCK + Y – I spent far too long going through my list of games ending in “y”, which is all the more depressing because it only consists of 1. Hockey. “Pick” was my nemesis during the week and here it is again. |
18 |
PR + OGRESS – another disparaging term for a woman. What is the female equivalent of a “chap”, by the way? |
20 |
(enti)RETY, PE(haps) – I was never sure whether the Times countenanced commas in inclusions, but here is the definitive answer. I wonder if other punctuation is allowed? |
21 |
APPL[AUS]E – for a big hand. Aus is either Australia or Austria, according to my Collins, which was written before most people could tell the difference between the two. Nowadays, Austria is more likely to be Aut for Autriche, or is that only in the Eurovision Song Contest and Olympics? |
24 |
OPERA + (EVITA)< – A for OPERATIVE – skilled worker. My last in, apart from 12ac. A tricky construction. Spent some time trying to take PRO or ARTISAN away from DEMONSTRATES without success. The obvious non-plurality of the answer eventually led to the penny dropping, but not before I had all checking letters. |
25 |
(ZEBU)* + K(rygystan) for an UZBEK |
26 |
VEN + US + FLY + TRAP – Fly and trap being horse drawn carriages. In retrospect, I’m not convinced by the “responsible for” but at the time I was thankful for an easy get. |
Down |
1 |
PERU + SAL is a close study. It took me ages to spot this, with PARISSA unaccountably refusing to budge from my cerebral cortex. |
2 |
RUNT + HE + GAUNT + LET |
3 |
DISCO(very) for a noisy party. I suppose disco = party is OK. I tend to associate it more with clubbing, where I’m often seen in my lurex flares (sans flair). |
4 |
SERGEANT is one of the ranks and Sir Malcolm Sargent is a homophone, amongst other more worthy things. |
5 |
LID + O for a pool. A clue not out of place in the 1930’s. Lido always seems a particularly quaint expression for a public swimming pool; it never made the transition to Australia, possibly being jettisoned as the First Fleet rounded the Cape. |
6 |
(ALEKEGHAS)* for SHAKE A LEG |
7 |
(TOPERINSOMEPUB)* for OPPOSITE NUMBER |
8 |
A + T[T]EST for declare in the sense of aver. |
14 |
MAKEPEACE – being William Thackeray’s middle name. I have to shamefacedly admit to never having read any of his works, although I have seen many television adaptations of Vanity Fair. This was the key to unlocking the left hand side of the puzzle for me (thankyou Mr Collins) which should have been on the tip of my tongue, but wasn’t. |
16 |
(PLEADFOR)* for DROP-LEAF, a type of table often found in confined spaces, often with ingenious mechanisms. |
17 |
PARR + (TO)< for a PARROT. I thought this “see” had to be Ely, but I was wrong again. A parr is a salmon, after it’s a fry and before it’s a smolt, which I didn’t know and had to guess. |
22 |
LO + (b)USY for a fairly common idiom still in Australia, and probably elsewhere. Busy = detective, on the other hand, is reasonably UK-centric I would have thought. |
23 |
LIE + U(nwind) as in “in lieu of”. |
At 23dn I toyed with SITU – it doesn’t quite work but it’s odd that SIT+U and LIE+U should have similar meanings.
At 17D the see would have been ELY, not Eli. Worth a thought, but if the wordplay is (a fish reversed)+ELY which seems plausible here, the answer pretty much has to be an adverb, which doesn’t match “bird”. (Aside from the shortage of ELY___ words)
13 and 15 are nice example of a pair of clues linked by “…” where the cryptic reading actually crosses the gap. Usually only the surface meaning does so.
Busy: COED has Brit informal for a police officer, but Chambers has “detective”.
Edited at 2009-04-27 05:54 am (UTC)
BTW there’s a typo at 4d, kororareka, Sir Malcolm should be Sargent.
RETYPE brought back memories of the days when it took a week to produce a business letter with much mutual antagonism between drafter and typing pool. If you never lived through that you have no idea what a boon word processing really is.
I had trouble justifying Ligament because I had failed to take notice of the ellipsis to the next clue.
I had no problem with operative since an almost identical clue occurred in last Tuesday’s Guardian “Worker working on musical show nearly backed another”. Spooky.
SITU is unlucky – the main use of “lieu” is in phrases like “in lieu” which pretty much matches “in situ” for “in place”. After looking at three dictionaries I can see some logic supporting lieu but not situ as an “English word”, but from the pure solving point of view, the weakness of {SIT=stretch out} seems the strongest reason for rejecting SITU. Whether I’d have done this if I’d thought of SITU first is another question.
On a vaguely related theme: I read a recent article in The London Review of Books which contained the snippet of information that during WWII a woman in Britain was interned for 5 months because the authorities had found the following entry in her diary: “Destroy English queen. Replace with Italian one”. It later transpired that she was a beekeeper.
I find the “overheard codewords” explanation perfectly believable, and the notion that spies would send messages as crossword answers in a national paper frankly absurd. Surely you would hide the message by using a more subtle pattern in the grid or the clues, or “plain text” words would be disguised, like the mumbo-jumbo uttered by BBC announcers for the benefit of the French Resistance.
Peter likes the 13/15ac pair because the cryptic reading of 13ac spills over into 15ac, whereas “Usually only the surface meaning does so”. Here, however, the two clues don’t have a plausible joint surface reading. I think that’s worse than having a pair of clues with a joint surface reading but disjoint cryptic readings, because in the latter case the joint surface is an optional aesthetic bonus. If you’re forcing the solver to read both clues together in order to solve one of them, you should surely make sure there’s a decent joint surface.
Speaking of surface readings, can anyone provide a plausible interpretation of 5dn (LIDO)? 14dn (MAKEPEACE) is dubious in this regard too.
Clues of the Day: 1dn (PERUSAL), 6dn (SHAKE A LEG).
I don’t see anything wrong with 5, ‘old hat’ transposed = ‘LID, 0’.
My impression is that ‘busy’ primarily refers to a uniformed PC, but detective is an easy extension.
Tom B.
For LIEU it was a case of working through the alphabet, first in character 1 and then in character 3.
I thought the clue for OPERATIVE was excellent. Like others I started off down the ‘demo’, ‘display’, ‘ant’, ‘artisan’ route before it clicked. I also liked RUN THE GAUNTLET.
I agree with Peter that the surface reading for 13ac doesn’t make a lot of sense; and also about his criticism of SITU, since lying fits better than sitting. (I had Situ in ..er, situ.) I was on totally then wrong track with 4dn, thinking the answer would be one of the Nine Muses or something similar, and couldn’t be bothered to look them all up.