27:28. Phew! That was tough, but also absolutely superb. So many clues that appeared completely baffling until the eventual PDM (penny-dropping moment), but none of the difficulty is a result of obscure vocabulary. Loads of great clues but the &Lit at 2dn was probably my favourite, and I enjoyed 1ac if only because it was my last in and I kicked myself hard when I finally realised what was going on.
So thanks very much to Bob for half an hour of exquisite torture, and here’s how I think it all works…
Definitions are underlined, anagrams indicated like (TIHS)*, anagram indicators are in italics.
Across |
1 |
What a courier brings over? |
|
DELIVERIES – DD, the second relating to cricket of course. So obvious once you see it, I’ve no idea why it took me so long. |
7 |
Chicken parts now imported |
|
WIMP – contained in (parts) ‘now imported’ |
9 |
Church overheads, expensive, lower after cutting back |
|
STEEPLES – STEEP, LESs. |
10 |
A lack of tax limiting a public official |
|
NOTARY – NO, T(A)RY |
11 |
Vehicle transporting fruit needing one more collected |
|
CALMER – CA(LiME)R. |
13 |
Succeeded in part thanks to mental capacity |
|
GOT AHEAD – GO (part), TA, HEAD. |
14 |
Controls around southern air bases |
|
CORNERSTONES – CORNERS (controls, as in a market) containing S, TONE. |
17 |
Learn to crawl? Quite an achievement! |
|
MASTERSTROKE – MASTER STROKE. The definition by example (‘crawl’ for STROKE) is indicated by the question mark. |
20 |
Fashion image on a vanity case? |
|
EGOMANIA – (IMAGE ON)*. Nice definition. |
21 |
They dry too well, so ends have split |
|
TOWELS – TOo, WELl, So. The ends of each word having ‘split’ (i.e. left). |
22 |
Perfect sounding local delicacy |
|
INTACT – sounds like ‘inn’, TACT (delicacy). |
23 |
Accepting a role finally, that one may do in the afternoon |
|
TEA PARTY – thaT, onE(A PART), maY. Nicely disguised definition. |
25 |
Beast returning hence |
|
OGRE – reversal of ERGO (hence). |
26 |
Ticker, possibly not one’s own |
|
SECOND HAND – if something is SECOND HAND it is not ‘one’s own’ if only in the sense that one is not the only person to have owned it. Arguably a little loose but you get the idea. |
Down |
2 |
On stage, waiter ultimately confounded |
|
ESTRAGON – (ON STAGE waiterR)*. An absolutely superb &Lit, referring of course to Waiting for Godot. The two ‘waiters’ are indeed ultimately confounded because (spoiler alert) Godot never turns up. |
3 |
Murder US-style, namely cold-hearted (3) |
|
ICE – C (cold) in (the heart of) IE (that is, namely). |
4 |
An irrational king executed a mathematician |
|
EULER – E, rULER. E is ‘a transcendental number, fundamental to mathematics, that is the limit of (1 + 1/n)n as n increases to infinity: used as the base of natural logarithms.’ But you knew that, of course. |
5 |
Complex things outside one’s understanding |
|
INSIGHT – (THINGS)* containing I. |
6 |
Boys transfixed by a girl’s piano pieces |
|
SONATINAS – SON(A TINA)S. |
7 |
What could make you chew its evil concoction |
|
WITCHES BREW – one of those reverse jobs where the answer is wordplay indicating part of the clue: ‘chew its’ is an anagram (brew) of WITCHES. Not to be confused with the Miles Davis record. |
8 |
Lots of farmworkers lacking aids when lifting |
|
MYRIAD – reversal of DAIRYMaids. A devilishly cunning clue that took me ages to figure out. |
12 |
Little old lady to pursue basic pay |
|
MINIMUM WAGE – MINI, MUM, WAGE (pursue, as in a war). |
15 |
Rebukes about sporting nose rings |
|
RESONATES – RATES (rebukes) containing (NOSE)*. |
16 |
Bob or crew cut? |
|
SKELETON – the SKELETON bob being a variety of sled, and a SKELETON crew being one limited in size, or cut. |
18 |
Giving support that boxers need |
|
ELASTIC – the boxers here being neither fighters nor dogs, but underwear. |
19 |
For one with award, raised a drink |
|
EGGNOG – EG, reversal of GONG. Revolting stuff. |
21 |
Pair including a novelist |
|
TWAIN – TW(A)IN. There aren’t many gimmes in this puzzle, make the most of them! |
24 |
Wood is turned this way occasionally |
|
ASH – alternate letters of ‘this way’, reversed. |
(K, perhaps your definition of Euler’s number should make it clearer that it’s the limit of 1+1/N to the Nth power, as we all know)
29:07
Now corrected.
Didn’t know ‘bob’ and took ages over my LOI CORNERSTONES.
After my recent bad experience with MYRIAD defined as ‘large number’ with reference to a Moroccan house I was a lot quicker to spot it this time round.
Edited at 2020-12-13 07:23 am (UTC)
FOI ICE, a word I have learnt from doing puzzles. But I only solved five clues in a shortish first session. A better afternoon session left me after a long time with three to get: 1a- I should have got but failed to think of cricket; I think a recent clue about typefaces led me astray. I know the play Waiting for Godot very well but I was thinking that “on stage” was a homophone indicator. I also failed to see that Controls =Corners-pretty tough that.
Was pleased to get EULER, but unparsed; and also the unknown SONATINAS.
This was clearly one for the experienced solvers.
David
I always thought Witches Brew was by Cream. But my knowledge of jazz is close to 0
Though I see that there are at least three songs called Witches Brew .. none of them my sort of music, mind
Edited at 2020-12-13 12:56 pm (UTC)
LOI 9ac STEEPLES
COD 15dn SKELETON – TTT sledding!
WOD 6dn SONATINAS
Time about an hour and ten
Edited at 2020-12-13 08:48 pm (UTC)
A tough puzzle that took numerous sessions spanning a couple of days to finally get through – still with a couple that hadn’t been parsed before coming here in ICE (which was the first in) and EULER.
Many excellent clues and none better than ESTRAGON which was my last in and at least got me to read the synopsis of the play that I knew of but hadn’t read. SKELETON, as a sled was unknown and had to check that SONATINAS was what it appeared to be.
I think that I remember seeing similar variations of the MYRIAD clue, but it still took a while to untangle again here (it was the third to last to go in). STEEPLES, for some reason was second to last.
Tom in Toronto here. See how far behind we are.
Reading Godot is no substitute for seeing it on stage. Forget all the people trying to see hidden meaning in it. Beckett himself said it was jsut a bit of old vaudeville. Enjoy it for the wit and the language.