No doubt the most controversial clue in this puzzle will be 4dn, confirmation after the use of EL a couple of weeks ago that indirect anagrams – considered un-Ximenean and unfair by many – are allowed in the ST under the current editor. In my view these setting ‘rules’ should always be subordinate to questions of practical solvability, and here is Ximenes himself on the subject:
My real point is that the secondary part of the clue – other than the definition – is meant to help the solver. The indirect anagram, unless there are virtually no alternatives, hardly ever does. He only sees it after he has got his answer by other means.
On this basis it seems to me that Ximenes himself would not object to this indirect anagram, since there really is only one possible answer to ‘fifteenth letter from Greece’. I don’t know about you but I for one am not inclined to be plus royaliste que le roi on this point.
Of course I didn’t actually know that this particular letter was the fifteenth of the Greek alphabet, which didn’t help, but the real problem I had with this clue was that I’m not used to looking for indirect anagrams, so even after bunging in the answer on the basis of definition and checkers it took me a long time to figure out what was going on. Now that I know what to expect I should be able to avoid this problem in future.
Music: Haydn, Symphony #103 “Drumroll”, Davis/Royal Concertgebouw Orchestra.
Across | |
1 | Record is broken by policeman? On the contrary |
DISC – DC (Detective Constable) containing (broken by) IS, and not the other way round. | |
4 | Willy’s aware of latest trends in participation |
MEMBERSHIP – or MEMBER’S HIP. Fnarr fnarr. | |
9 | Gas is essential before the balloon goes up |
HOT AIR – not strictly accurate if you’re talking about a helium balloon, but you get the idea. | |
10 | Spirit shown in amusing Haydn symphony |
DRUMROLL – D(RUM)ROLL. As music students will know, Haydn wrote approximately a bazillion symphonies, and his 103rd goes by this name. Inspired by its appearance here, I’m listening to it as I type this. I do like Haydn. | |
11 | Private parking close to New Orleans |
PERSONAL – P (parking), (ORLEANS)*. The ‘New Orleans’ trick is neat, but Tim Moorey has used it before. | |
13 | Bird strike upon rear end of helicopter |
RAPTOR – RAP (strike), TO (upon: think ears and ground), |
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14 | Father awkward initially in church house is this? |
REFRACTORY – RE(FR, A |
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16 | The said pan for a sort of pancake … |
WRAP – sounds like ‘rap’, in the sense ‘criticize sharply’. This is a strange definition, but I think Mr Moorey must be thinking of the wrap as a tortilla, which Collins defines as ‘a kind of thin pancake’. A tortilla isn’t a pancake, but send your letters of objection to Collins rather than the setter. | |
17 | … and others in say, copper (avoiding lead) |
ET AL – |
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18 | Go after fine score that’s awarded officially |
PENALTY TRY – PENALTY (fine), TRY (go). I believe this is when the referee in a game of rugby gives one team however many points you get for a try as a punishment for some sort of infraction on the part of the other team, such as a handball or LBW. | |
20 | Possible instruction from ticket reseller’s boss dismissed |
GOT OUT – or ‘go tout!’ | |
21 | Unbacked weird gang out to get better operation |
WAGERING – (WEIR |
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23 | City assistant brought about New Deal |
ADELAIDE – AIDE surrounding an anagram of DEAL. | |
24 | One running away from work for day in a tree! |
ELOPER – replace D (day) with OP (work) in ELDER. | |
26 | Talked about one associated with Observer and Spectator |
EYE WITNESS – I think ‘talked about one’ gives EYE here, which works if you imagine the queen saying it. | |
27 | Dog many recalled |
SNOT – the one I couldn’t get. A SNOT is a ‘contemptible person’, apparently, and so is a dog. I didn’t know this, so I couldn’t decide between this answer and STOP. At least I managed to rule out STOL. |
Down | |
2 | Response ministers usually get in artificial language |
IDO – the JPF of constructed languages to Esperanto’s PFJ. Not to be confused with IBO, which is a real language. When ministers get a response other than ‘I do’, it must be awkward. | |
3 | Guy’s providing leather bags from US |
CHAPS – or CHAP’S. | |
4 | Fifteenth letter from Greece lost? That’s stupid |
MORONIC – (OMICRON)*. I think I’ve done this one to death. | |
5 | Small hospital found in a remote place |
MIDDLE OF NOWHERE – the idea being that the middle of NOWHERE is H, which is an abbreviation for ‘hospital’. I’m not sure this quite works. | |
6 | First in Establishment to ask about Queen? |
EQUERRY – E |
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7 | Two ways to restrain unruly pair in Remove |
STRIP AWAY – ST, WAY (two ways) surrounding (to restrain) an anagram of PAIR. The Remove is the Lower Fourth form of Greyfriars School, where Billy Bunter is the Fat Owl. | |
8 | Crude oil earns pots by a great deal in part of Scotland |
ISLE OF ARRAN – tricksy one this, so pay attention. An anagram of OIL EARNS contains (‘pots’) FAR (by a great deal) to give the Scottish island. | |
12 | This could uncover a Tory decline right away |
ELECTION DAY – (A TO |
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15 | A court must measure fault? Nothing in it |
RULE OF LAW – RULE (measure), FLAW (fault) containing O (nothing). I’m indebted to ulaca for identifying the definition, which requires ‘must’ to be a noun. | |
18 | Tell perhaps three to get in touch |
PATRIOT – PA(TRIO)T. ‘Along with Arnold von Winkelried, [William] Tell is a central figure in Swiss patriotism as it was constructed during the Restoration of the Confederacy after the Napoleonic era’. | |
19 | Such a person cannot stand Brahms and Liszt |
LEGLESS – DD, one Cockney rhyming slang. I prefer Haydn. | |
22 | England batsman’s origins |
ROOTS – DD. Ref. Joe. | |
25 | Green novelist? |
ECO – DD. Ref. Umberto. |
MIDDLE OF NOWHERE went straight in, but I didn’t get it – I actually think its quite good now you have explained it. 4d went in on the basis it had to be, and I assumed it was somehow connected with IONIC and I’d justify it later – which of course I couldn’t…
Favourites were PENALTY TRY and GOT OUT.
Edited at 2015-04-12 02:12 am (UTC)
Edited at 2015-04-12 08:51 am (UTC)
Edited at 2015-04-12 06:55 am (UTC)
Nice crossword, nice blog..
Trevor Salisbury, a great setter of cryptics in the LIverpool Echo in the 60s, had a slightly more caustic attitude. And I won’t repeat what he had to say on the subject over a glass or two in The Boot Inn in Wallasey at the time.
So it’s always seemed to me that the taboo is just part of the culture of cryptic writing — a culture I would not wish to see diminished. One wonders what Tim’s comment might be if such a thing turned up in the Club Clue Challenge.
Edited at 2015-04-12 08:58 am (UTC)
In this puzzle I have more of a problem with 5dn, which perhaps doesn’t break any ‘rules’ but contains a subsidiary indication that can’t possibly get you to the answer. But even there you can argue that it is enough that the wordplay confirms clearly an answer you can get from the definition. It’s just a matter of taste.
I remember him as a smallish man and a classics don to boot but your father’s description is somewhat wide of the mark
The etiquette re anagrams — there has to be an indicator, and there has to be what is now called “fodder” — was simply something I learned in the way I learned multiplication tables. So when I see a “concealed”, it leaps out like “2 x 2 = 5”.
Edited at 2015-04-13 06:32 am (UTC)
So I looked him up and was very interested to note that “Well-known Ximeneans include Stephen Sondheim … and Leonard Bernstein”. For some reason I’m not entirely surprised that composers of music might have a taste for cryptic puzzles.
Following up that revelation, I learned that Sondheim has himself compiled and published crosswords. There’s a barred example of his work here:
http://nymag.com/docs/08/03/nymag-sondheim01.pdf
Any other crosswordy composers/musicians, I wonder?
Edited at 2015-04-13 07:41 am (UTC)
Edited at 2015-04-12 08:02 am (UTC)
Well done Mr Moorey for making us think ‘outside the box’.
No real problem with 4dn, as the anagrist was unambiguous
Not sure what the problem with SNOT is but the word itself means ‘contemptible person’ according to all the ‘standard’ dictionaries (Collins, Oxford, Chambers). This is the meaning I and many others didn’t know. ‘Dog’ has the same meaning. It’s also a reversal (‘recalled’) of TONS (‘many’).
That said, my Grandfather had a term learned from his youth – so circa early last century- of Eisnoj gartons that he said was used to remind him and other children to use a handkerchief. You need to read it in reverse, so the term has been in formal use quite a while.