A fairly average 14:13 for me, although I got off to quite a slow start and was surprised how little time had passed when I stopped the clock. Other times I think I’ve raced through it and find it’s taken 20 minutes. No idea what that goes to show.
Didn’t like 11ac, sorry setter. I was also going to say nasty things about 21dn, but that was due to my ignorance until I did a bit of Googling while typing this up.
| Across |
| 1 |
RACISM – (as, crim(e))* |
| 4 |
RAMSGATE – RAM’S (computer memory’s) + GATE (a logic circuit). A seaside town in Kent. |
| 10 |
STRINGENT – SENT (made to go) around TRING (Chilterns town). |
| 11 |
AWAIT – TIAWA (cwown) reversed. Gwoan! |
| 12 |
SOAKING – SO AKIN (very similar) + G(allons). |
| 13 |
OLD BEAN – definition and cryptic definition. A phrase still regularly used by Henry Blofeld, and probably nobody else! |
| 14 |
OCEAN – O(xygen) + C(l)EAN |
| 15 |
TIGERISH – (rights, ie)* |
| 18 |
COHERENT – COT around HERE, N(ot). |
| 20 |
MACHO – where MACH 1 is the speed of sound, MACH 0 must be stationary. |
| 23 |
ARTEMIS – I (one) + MET (experienced) + R.A. (artist), all reversed, + (princes)S. Greek goddess of hunting, equivalent to the Roman Diana. |
| 25 |
MUNDANE – M(arried) + UN (French for “a”) + DANE (European). |
| 26 |
HEIST – T(ime) removed from THEIST (religious type). |
| 27 |
EXCUSABLE – (because XL)* |
| 28 |
RYE-GRASS – sounds like “wry” + GRASS (singer, i.e. informer). |
| 29 |
FERRET – hidden reversed in “counter–reformation”. |
| Down |
| 1 |
RESISTOR – RES(olution) + IS (represents) + TOR (rocky high ground). |
| 2 |
CORKAGE – cryptic definition. |
| 3 |
SENTIENCE – I (self-reference) inside SENTENCE (self-contained expression). |
| 5 |
A STRONG STOMACH – cryptic definition, although I wasted a bit of time trying to work in an anagram of “organ’s” and something. |
| 6 |
SHARD – SHAR(e)D |
| 7 |
AMADEUS – MADE in AUS. Film about Mozart, which I remember as the first I watched with my future ex-wife. |
| 8 |
EXTANT – (s)EXTANT |
| 9 |
WEIGHTLESSNESS – cryptic definition |
| 16 |
REMINISCE – RE (concerned with) + MINIS (short skirts) + C.E. (Anglicans). |
| 17 |
MOVEMENT – double definition. |
| 19 |
OUTLIVE – OUT (published) + LIVE (as it happens). |
| 21 |
CLAMBER – C(onstant) + LAMBER(t). At first glance a clue that just looks bad, but I couldn’t believe the Times would stoop so low, so I Googled him. Constant Lambert was a composer, which makes the surface reading quite good. Tony Sever’s probably heard of him, but I certainly hadn’t. |
| 22 |
WASHER – WAS HER. |
| 24 |
MOTOR – MOT (annual car safety test) + OR. |
TRING has come up several times before, usually clued as ‘Hertfordshire town’ I believe, a distinction it shares in crosswordland with Ware. Tring’s larger neighbouring stations on the commuter route to London, Berkhamsted and Leighton Buzzard have also appeared.
The composer was no problem for me as I have a recording of his (probably) most famous work, the ballet suite ‘Horoscope’.
Didn’t know the logic circuit. Enjoyed the fun at 11ac.
Edited at 2012-06-23 09:11 am (UTC)
I couldn’t remember who Constant Lambert was either, but that turned out not to be necessary.
No objection to 11ac – this is a long-standing setter’s ploy, which led immediately to the answer without even time for a groan.
All sorts of reasons for knowing about Constant Lambert. He composed The Rio Grande, one of my favourite pieces of music, and a great sing. I have happy memories of performing it with the East Riding Youth Choir, and always hoped that I’d get another crack at it later on when I was singing with the LSO Chorus and London Philharmonic Choir – but sadly never did. Literary types may know him as the inspiration for Hugh Morland in Anthony Powell’s A Dance to the Music of Time. Balletomanes will certainly know him as conductor for the Camargo Society and musical director of the Vic-Wells Ballet (and for having had an affair with Margot Fonteyn). Even those more interested in the world of pop music may have come across him as the father of Kit Lambert.